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Racism renounced: A Black man talks with white supremacists

Man standing in front of a SXSW backdrop

Daryl Davis

Hutton Supancic/Getty Images for SXSW

Acclaimed musician and recording artist Daryl Davis has interviewed hundreds of Ku Klux Klan members and other white supremacists – and influenced many of them to renounce their racist ideology.

In the latest episode of “Let’s Find Common Ground,” we hear his brave and remarkable story. Davis’s personal quest began many years ago, after a concert when he was in a country music band.


After one of his rock and R&B performances, a man told Davis it was the first time he’d seen a Black man play piano like Jerry Lee Lewis. Davis explained the Black origin of Lewis’s style, and the man became a fan. Turns out, he was a member of the Ku Klux Klan. This led to Daryl becoming the first Black author to interview KKK leaders and members, detailed in his book, “Klan-Destine Relationships.” Today, Davis owns numerous Klan robes and hoods, given to him by active members who renounced their racist ideology after meeting him.

His documentary film, "Accidental Courtesy", features his process of conversation and understanding to bridge differences and promote racial reconciliation.

Davis earned a degree in jazz and tours nationally and internationally with The Daryl Davis Band. He has worked with Chuck Berry, Elvis Presley’s Jordanaires, The Legendary Blues Band, and many others. As a race reconciliator and lecturer, Davis has received numerous awards and is often sought by CNN, MSNBC, NPR, and other media outlets as a consultant on race relations and white supremacy.

Daryl is also an actor with stage and screen credits. He appeared in the critically acclaimed HBO police drama “The Wire.”


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Peggy Flanagan Could Make History for Native American Women in November. She’s Not the Only One.

Minnesota Lt. Gov. Peggy Flanagan, speaks at a volunteer appreciation event at Black Heart of Saint Paul on August 8, 2026 in St. Paul, Minnesota.

Stephen Maturen/Getty Images

Peggy Flanagan Could Make History for Native American Women in November. She’s Not the Only One.

Lt. Gov. Peggy Flanagan easily won Minnesota’s Democratic primary for a U.S. Senate seat, according to Decision Desk HQ, putting her a step closer to becoming the first Native American woman elected to the chamber.

Flanagan, a member of the White Earth Band of Ojibwe, is not the only Native woman who could make history this year: In New Mexico, former Secretary of the Interior Deb Haaland, a Laguna Pueblo member, is widely expected to become New Mexico’s next governor after winning the Democratic nomination in June.

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Defense Secretary Hegseth Testifies Before Senate Appropriations Committee

U.S. Secretary of War Pete Hegseth testifies during a Senate Appropriations Committee hearing in the Dirksen Senate Office Building on Capitol Hill on July 21, 2026 in Washington, DC

Anna Moneymaker/Getty Images

Can We Fire Hegseth Yet?

Secretary of Defense Pete Hegseth is on a warpath against a lot of things, but one of them is women. Just this week, the New York Times reported that the percentage of high-ranking officer nominations going to women is at its lowest level in at least 25 years. As obsessed as Hegseth is with firing–and intervening in the promotions of–qualified officers in the name of making the U.S. military the most lethal force in the world, Hegseth continues to offer grounds for his own dismissal. Perhaps the firing of all these women is simply a symptom of Hegseth’s infection of the Pentagon.

Female service members did have it tough before Hegseth. Women already saw a separation rate 28% higher than men, largely attributed to sexual assault. In states with abortion bans, the uniform offers no protection against healthcare deserts created by Dobbs; the Departments of Defense and Veterans Affairs have left women with less access to care than they would have in a federal prison. Perhaps most harrowing of all: women are more likely to be killed or raped by a fellow soldier than killed by the enemy. But President Trump, a sex offender, appointed Hegseth, an accused sex offender, to take the helm.

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Travis Scott, Benny Safdie, Elliot Page, Corey Hawkins, Tom Holland, Emma Thomas, Christopher Nolan, Matt Damon, Anne Hathaway, Lupita Nyong'o, Charlize Theron, John Leguizamo, Zendaya, Samantha Morton, Himesh Patel, Jon Bernthal, and Logan Marshall-Green attend the premiere of "The Odyssey" presented by Universal Pictures on July 14, 2026 in New York City.

Travis Scott, Benny Safdie, Elliot Page, Corey Hawkins, Tom Holland, Emma Thomas, Christopher Nolan, Matt Damon, Anne Hathaway, Lupita Nyong'o, Charlize Theron, John Leguizamo, Zendaya, Samantha Morton, Himesh Patel, Jon Bernthal, and Logan Marshall-Green attend the premiere of "The Odyssey" presented by Universal Pictures on July 14, 2026 in New York City.

Mike Coppola/Getty Images

The Odyssey Isn’t Real, But American Diversity Is

After Christopher Nolan’s The Odyssey was released in theaters, Elon Musk declared he would use Grok to create a more “historically accurate” version of the ancient epic poem. The uproar over the film’s supposedly woke casting has been loud and sustained, but the people most upset have ignored a pretty significant detail: The Odyssey is not real. It is a story filled with gods, goddesses, and violent monsters who are apparently more historically plausible than the presence of people of color. Even the fact that Greek, Asian, and African peoples were in contact throughout the ancient world is less believable, it seems, than a sentient whirlpool.

The goal was never historical accuracy, though. It never is. The same logic that scrubs people of color from ancient epics is the logic that scrubs us from American history because in both cases, the sanitized version requires our absence. America becomes a space of prosperity and hope for all if enslavement is deleted. It becomes a benevolent nation welcoming to everyone if internment camps and detention centers are excluded. It becomes a beacon of cultural mixing if the genocide of Indigenous peoples is overlooked.

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Two soccer, football, players colliding over the ball.

Alex Freeman #16 of the United States competes for the ball against Jeremy Doku #11 of Belgium during the FIFA World Cup 2026 Round of 16 match between USA and Belgium at Seattle Stadium on July 06, 2026 in Seattle, Washington.

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World Cup in Living Color

Scan the faces on this summer’s European World Cup squads: France, England, Germany, the Netherlands. The jerseys hang on shoulders brown, black, olive, fair. These are not the sanitized, single-story teams that once stood for “nation.” They’re unruly, multicolored, undeniably global. And for once, the United States—so often an outlier—seems less exceptional and more like a willing participant in this reimagining of who “belongs” on the field.

Football—let’s call it what it is, the world’s game—has always reflected the societies that shape it, sometimes as a mirror, sometimes as a funhouse. For decades, European countries clung to self-mythologies, their national teams meant to be pure expressions of heritage: the most French of Frenchmen, the most English of the English. But the game, like the world, refused to stand still. The children and grandchildren of immigrants kept arriving, first in club academies and then on national teams, until no one could deny what was already on the field.

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