Skip to content
Search

Latest Stories

Top Stories

Simone Biles wins gold in life’s balancing act

Simone Biles
Tom Weller/VOIGT/GettyImages

Lockard is an Iowa resident who regularly contributes to regional newspapers and periodicals. She is working on the second of a four-book fictional series based on Jane Austen’s “Pride and Prejudice."

The closing ceremonies of the 2024 Summer Olympics in Paris will take place this Sunday, Aug. 11. Officially called the Games of the XXXIII Olympiad, they have provided a thrilling spectacle, a glimpse of the world together and on its best behavior.

Team USA’s Simone Biles will leave the City of Lights with an additional four Olympic medals, three gold (the team event, all around and vault) plus a silver in floor exercise, bringing her Olympic treasure trove to 11. Added to her 30 world championship medals, Biles is the most decorated gymnast ever. With five awe-inspiring skills named for her, she dominates the sport — truly the Greatest of All Time.


But Biles did not medal in the balance beam in Paris. She fell during her routine; Team USA was not even on the podium. The irony of this is infused with meaning. Because if there is any skill Biles can, and did, show the entire world, it is her ability to strive for balance.

During the delayed 2021 summer games in Tokyo, Biles withdrew from the gymnastics competition. In front of a stunned world and her equally stunned team, she walked off the floor. Despite a barrage of criticism, she stayed in Tokyo, supporting her teammates (to four more medals) and returning briefly after her doctors’ assessment to take bronze in the balance beam.

Before the drama of her withdrawal in Tokyo, Biles had been making uncharacteristic mistakes during the qualifying rounds. The gymnastics term for her issue is the “twisties.” This condition causes a gymnast to lose her sense of space and direction while performing, potentially a deadly malady for a young woman who flies through the air in her routines.

Yet, who walks away from the Olympics, with the entire world watching?

Simone Biles did.

All that glitters is not gold.

Amidst harsh, and often brutal, criticism Biles found the wherewithal to value herself more than her accomplishments, unblinded by Olympic dazzle or her impending downfall.

The “twisties” is a term we can apply to our individual lives, as well as to our society. Off-kilter, out of whack, erratic, misaligned. It happens in every arena, big and small: individual health, societal health, politics and personal issues, physical and mental. And when it happens, we have to work hard to regain our balance or we face potentially deadly consequences.

Most of us have experienced this misalignment in one area or another: working too much, partying too much, too many meetings, too much pressure, etc. Eating too much candy results in cavities; conversely, eating too many carrots causes carotene toxicity. Good and bad are relative terms. Too much is by definition “too much.”

But isn’t the way to fully live to throw ourselves into our work and into our passions? And is that not essentially what the Olympics are about, showcasing those who have pursued their athletic dreams and devoted tens of thousands of hours to practice their skills, in fact dedicated their lives to it?

Is this not the “American” way? The path to success, admired and rewarded by a world that measures value by economic accomplishment and fame? Besides, isn’t living a life of “balance” boring, devoid of adventure and excitement?

Nothing could be further from the truth. In the big picture, the most successful people strive for life/work balance, the most successful countries pursue balance politically.

“I truly feel like I have the weight of the world on my shoulders at times,” Biles said in Tokyo. Without her parents there to cheer her on, with the pressure of others’ expectations, plus the fear and isolation of the pandemic, she taught us all a lesson: We were out of balance, and we needed each other to regain it.

The ancient yin and the yang compose the taijitu, the whole. Balance is the single most difficult thing to attain; in any arena, it’s a worthy goal in every aspect.

To find a way out of political quagmire requires adjustment, a willingness to listen, acknowledgment that opposing arguments may have some merit. Extremism is good for no person or country. In terms of the security of our country and our entire planet, the balance of power is essential.

Biles is back, Paris billed as the “Redemption Tour” by the women’s gymnastics team. But as stunning as her gymnastic accomplishments are, her courage to do what is best for herself and her team by seeking balance earns her the highest, most soaring accolades.

Simone Biles wins gold in the most difficult and important challenge she, and we, face: attaining balance.

Read More

How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

Shoppers stand in line at a Nike outlet store on May 3, 2025 in San Diego, California.

Getty Images, Kevin Carter

How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

In the late 1980s, the Harvard Alcohol Project did just that. By embedding the term designated driver into prime-time television—from Cheers to L.A. Law—they didn’t just coin a phrase. They changed people’s behavior. The campaign was credited with helping reduce alcohol-related traffic fatalities by nearly 30% over the following decade. President George H.W. Bush and Bill Clinton, along with organizations like Mothers Against Drunk Driving, endorsed the movement, amplifying its reach.

They made sober driving socially admirable, not awkward. And they proved that when language meets culture, norms shift.

Keep ReadingShow less
La Ventanita: Uniting Conservative Mothers and Liberal Daughters

Steph Martinez and Rachel Ramirez with their mothers after their last performance

Photo Provided

La Ventanita: Uniting Conservative Mothers and Liberal Daughters

When Northwestern theater and creative writing junior Lux Vargas wrote and brought to life La Ventanita, she created a space of rest and home for those who live in the grief of not belonging anywhere, yet still yearn for a sense of belonging together. By closing night, Vargas had mothers and daughters, once splintered by politics, in each other's arms. In a small, sold-out theater in Evanston, the story on stage became a mirror: centering on mothers who fled the country and daughters who left again for college.

Performed four times on May 9 and 10, La Ventanita unfolds in a fictional cafecito window inspired by the walk-up restaurant counters found throughout Miami. “The ventanita breeds conversations and political exchange,” said Vargas.

Keep ReadingShow less
A Cruel Season at the Bus Stop

File: ICE agents making arrests

A Cruel Season at the Bus Stop

The poem you’re about to read is not a quiet reflection—it’s a flare shot into the night. It emerges from a moment when the boundaries between surveillance and censorship feel increasingly porous, and when the act of reading itself can be seen as resistance. The poet draws a chilling parallel between masked agents detaining immigrants and the quiet erasure of books from our schools and libraries. Both, he argues, are expressions of unchecked power—one overt, the other insidious.

This work invites us to confront the slippery slope where government overreach meets cultural suppression. It challenges us to ask: What happens when the stories we tell, the knowledge we share, and the communities we protect are deemed threats? And who gets to decide?

Keep ReadingShow less