Rosenberg is executive director of Open the Government, a nonpartisan group advocating for government transparency and accountability.
It is hard to ignore whistleblowers these days. A whistleblower complaint about a controversial exchange between President Donald Trump and Ukrainian President Volodymyr Zelensky triggered the impeachment inquiry and subsequent trial that dominated the news for months. Even while it was focused on the impeachment trial, the Senate was also looking into reports from another whistleblower alleging that a Trump political appointee interfered with an audit of either the president or Vice President Mike Pence.
Even Hollywood cannot seem to get enough of whistleblowers. While movies and television shows about whistleblowers are not new, the theatrical and Netflix releases of several movies last year suggest a growing appetite for more insight into who they are and how their commitment to creating an accountable society benefits the greater good.
The protagonists' motivation in "The Report," "The Laundromat" and "The Great Hack" were the same: A desire to use access to information and free speech to expose abuse of power. They understand on a deep level, even in the face of formidable resistance, that transparency is the first step toward ensuring the accountability that can address societal ills. By exposing corporate or government wrongdoing, whistleblowers often face tremendous personal and professional risks.
In "The Report," Adam Driver plays Senate staffer Dan Jones, who doggedly dedicates several years to investigate the CIA's enhanced detention and interrogation program after the Sept. 11 attacks. Jones uncovers that detainees were severely tortured — one killed — using waterboarding and other CIA interrogation techniques. The resulting 6,000-page torture report concluded that the program did not yield any significant intelligence breakthroughs. To date, despite years of litigation and advocacy by transparency and accountability organizations, only the executive summary has been released. More than 5,000 pages remain hidden from view, and those complicit in torture crimes have not been held accountable.
In "The Laundromat," Ellen Martin (Meryl Streep) gets the runaround after her husband dies in a tragic tour boat accident. She and the other victims of the accident never get the insurance payment they are entitled to because the company's liability coverage came from a shell company in the Caribbean being investigated by the FBI for fraud — a fact she uncovers while investigating the company's deceptive practices.
The fictional account follows the byzantine true story of the Panama Papers, the release of which uncovered a complex, massive tax evasion scheme. The 11 million documents a whistleblower provided to a German newspaper detailed the ways in which some of the wealthiest individuals in the world used offshore banks and shell companies to exploit the global financial system for personal gain.
The Netflix documentary "The Great Hack" explores how a London-based data company, Cambridge Analytica, scraped the personal information of millions of Facebook users and, unbeknownst to them, used the data to influence the 2016 U.S. presidential election, the United Kingdom's Brexit movement and other elections around the globe.
The film's central figure, David Carroll, sued Cambridge Analytica demanding full disclosure of his data set profile (one of the millions the company created) and for details on how the company obtained it. The movie follows Carroll's attempt to reclaim his personal information by taking up the fight in Britain, where privacy laws are stronger than here. The movie also features interviews with Christopher Wylie, a former Cambridge Analytica employee who blew the whistle on the company, exposing the way it harvested and then weaponized data to influence elections and grassroots movements.
The fallout from the scandal and the lawsuit pressured Facebook into taking more responsibility for how it shares user data with third-party entities and has prompted Congress to consider strengthening federal privacy laws.
These three movies underscore whistleblowing as a right, not a crime, and debunk the misconception that whistleblowers act out of self-interest. Instead, audiences can see how all the characters are motivated to expose and correct unethical and illegal activity.
But to do so effectively, whistleblowers need the protection of stronger, streamlined whistleblower protection laws and a cross-section of experts in their corner — lawyers, freedom of information advocates, journalists and even members of Congress — to provide guidance on how to safely disclose wrongdoing.
The need for resources that encourage and protect whistleblowers is vital. As governments and corporations become less open, the role of whistleblowers as agents of accountability is increasingly important.
Hollywood's championing of whistleblowers as critical sources of information about wrongdoing and as pillars of an accountable and transparent society is a positive trend that must continue.


















Eric Trump, the newly appointed ALT5 board director of World Liberty Financial, walks outside of the NASDAQ in Times Square as they mark the $1.5- billion partnership between World Liberty Financial and ALT5 Sigma with the ringing of the NASDAQ opening bell, on Aug. 13, 2025, in New York City.
Why does the Trump family always get a pass?
Deputy Attorney General Todd Blanche joined ABC’s “This Week” on Sunday to defend or explain a lot of controversies for the Trump administration: the Epstein files release, the events in Minneapolis, etc. He was also asked about possible conflicts of interest between President Trump’s family business and his job. Specifically, Blanche was asked about a very sketchy deal Trump’s son Eric signed with the UAE’s national security adviser, Sheikh Tahnoon.
Shortly before Trump was inaugurated in early 2025, Tahnoon invested $500 million in the Trump-owned World Liberty, a then newly launched cryptocurrency outfit. A few months later, UAE was granted permission to purchase sensitive American AI chips. According to the Wall Street Journal, which broke the story, “the deal marks something unprecedented in American politics: a foreign government official taking a major ownership stake in an incoming U.S. president’s company.”
“How do you respond to those who say this is a serious conflict of interest?” ABC host George Stephanopoulos asked.
“I love it when these papers talk about something being unprecedented or never happening before,” Blanche replied, “as if the Biden family and the Biden administration didn’t do exactly the same thing, and they were just in office.”
Blanche went on to boast about how the president is utterly transparent regarding his questionable business practices: “I don’t have a comment on it beyond Trump has been completely transparent when his family travels for business reasons. They don’t do so in secret. We don’t learn about it when we find a laptop a few years later. We learn about it when it’s happening.”
Sadly, Stephanopoulos didn’t offer the obvious response, which may have gone something like this: “OK, but the president and countless leading Republicans insisted that President Biden was the head of what they dubbed ‘the Biden Crime family’ and insisted his business dealings were corrupt, and indeed that his corruption merited impeachment. So how is being ‘transparent’ about similar corruption a defense?”
Now, I should be clear that I do think the Biden family’s business dealings were corrupt, whether or not laws were broken. Others disagree. I also think Trump’s business dealings appear to be worse in many ways than even what Biden was alleged to have done. But none of that is relevant. The standard set by Trump and Republicans is the relevant political standard, and by the deputy attorney general’s own account, the Trump administration is doing “exactly the same thing,” just more openly.
Since when is being more transparent about wrongdoing a defense? Try telling a cop or judge, “Yes, I robbed that bank. I’ve been completely transparent about that. So, what’s the big deal?”
This is just a small example of the broader dysfunction in the way we talk about politics.
Americans have a special hatred for hypocrisy. I think it goes back to the founding era. As Alexis de Tocqueville observed in “Democracy In America,” the old world had a different way of dealing with the moral shortcomings of leaders. Rank had its privileges. Nobles, never mind kings, were entitled to behave in ways that were forbidden to the little people.
In America, titles of nobility were banned in the Constitution and in our democratic culture. In a society built on notions of equality (the obvious exceptions of Black people, women, Native Americans notwithstanding) no one has access to special carve-outs or exemptions as to what is right and wrong. Claiming them, particularly in secret, feels like a betrayal against the whole idea of equality.
The problem in the modern era is that elites — of all ideological stripes — have violated that bargain. The result isn’t that we’ve abandoned any notion of right and wrong. Instead, by elevating hypocrisy to the greatest of sins, we end up weaponizing the principles, using them as a cudgel against the other side but not against our own.
Pick an issue: violent rhetoric by politicians, sexual misconduct, corruption and so on. With every revelation, almost immediately the debate becomes a riot of whataboutism. Team A says that Team B has no right to criticize because they did the same thing. Team B points out that Team A has switched positions. Everyone has a point. And everyone is missing the point.
Sure, hypocrisy is a moral failing, and partisan inconsistency is an intellectual one. But neither changes the objective facts. This is something you’re supposed to learn as a child: It doesn’t matter what everyone else is doing or saying, wrong is wrong. It’s also something lawyers like Mr. Blanche are supposed to know. Telling a judge that the hypocrisy of the prosecutor — or your client’s transparency — means your client did nothing wrong would earn you nothing but a laugh.
Jonah Goldberg is editor-in-chief of The Dispatch and the host of The Remnant podcast. His Twitter handle is @JonahDispatch.