A close friend of mine recently confessed to having stopped watching cable news altogether because it was causing him and his wife anxiety and dread. They began watching Jimmy Kimmel instead, saying the nightly news felt like "psychological warfare" on their mental state. "We want to know what's going on but can't handle the relentless doom and gloom every night," he told me.
Jimmy Kimmel, host of ABC's Jimmy Kimmel Live, seems to understand this shift. "A year ago, I would've said I'm hoping to show people who aren't paying attention to the news what's actually going on," he told Rolling Stone last month in an interview. "Now I see myself more as a place to scream."
This isn't surprising. For almost a decade now, the relationship between audiences and late-night hosts has changed profoundly. Viewers are tuning out cable news and seeking clarity, humor, and relief from late-night comedians like Stephen Colbert and Greg Gutfeld and the cold opens on SNL. On Bluesky, the buzzy new social platform for those fleeing Elon Musk's X, one user wrote, "It's ironic that I use satire shows as more reliable sources than the US mainstream media." For better or worse, this phenomenon has become a new form of journalism.
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How We Got Here
We didn't always turn to comedians for the headlines. For decades, late-night hosts Johnny Carson, Jay Leno, and even David Letterman at his most biting, still centered on celebrity interviews and innocuous zingers. The turning point came after 9/11 when Jon Stewart's emotional monologue on The Daily Show demonstrated that comedy could process national grief.
Following Trump's election in 2016, traditional news became more combative and chaotic. The nightly barrage of outrage left viewers emotionally exhausted. Therapists coined it: "Trump Anxiety Disorder." A recent Axios report found that the chaos surrounding Trump and the 2020 election contributed to a 10% rise in major health issues, including cancer and heart attacks.
In this increasingly tense political climate, liberal audiences found validation through shows like HBO's Last Week Tonight with John Oliver, Real Time with Bill Maher, and NBC's Late Night with Seth Meyers' segment "A Closer Look". These programs offer viewers not just a recap of the news but a way to process it, laugh through it, and bear it. They tackle the most important stories of the day from the tariff wars, the Kilmar Abrego Garcia deportation case, and a potential Trump third term, all blurring the lines of comedy and journalism.
The Numbers Tell the Story
The popularity of this approach is evident in the ratings. Shows from Colbert, Kimmel, and Gutfeld often outperform traditional cable news in their respective timeframes. For instance, on April 17, Gutfeld! captured 3,177,000 viewers at 10 p.m., significantly outperforming CNN's Abby Phillip (527,000 viewers) and MSNBC's Lawrence O'Donnell (1,643,000 viewers) in the same slot. This performance has established Gutfeld as the dominant voice in late-night ratings.
For conservative viewers, long feeling alienated by mainstream comedy, the rise of Greg Gutfeld—the former Fox News host turned late-night comedian—and his late-night show Gutfeld! wasn't about offering traditional late-night laughs, it was about providing conservative viewers a late-night space where their frustrations were acknowledged with humor, not shame. His success highlights how late-night comedy has evolved into ideological echo chambers that reinforce our worldviews, signaling a profound shift in how we consume political information today.
The Trade-Off
Yet, while comedians offer us a news style that relieves the stress of traditional reporting, it's important to remember they are not journalists. John Oliver, host of HBO's Last Week Tonight, describes his broadcast bluntly: "It's not journalism. It's comedy first, comedy second." It's true that their job is to entertain first, but it's also clear they do a kind of journalism that engages and connects with us in ways traditional news no longer can. The balance we strike is revealing: we choose comfort over journalistic credibility.
Conclusion: Emotional Survival Over News Accuracy
Mainstream news has stopped working for many Americans. That's why late-night comedy, for all its irreverence and partisan leanings, is doing what we once expected journalism to do: tell the truth, make it understandable, and offer us a sense of understanding and comfort.
Meanwhile, with news channels pushing viewers into opposing camps, comedians have become one of the few places where people still gather, night after night, for some much-needed catharsis. But whether you agree with their politics or not, they have become the voices Americans turn to when the world stops making sense. They remind us that we're not crazy, and in a country where the truth can sound like a joke, the last laugh belongs to those who can still help us make sense of it all.
Jack Rico is an entertainment journalist, TV host, and media pundit with over two decades of experience covering Latinos in media and entertainment. He was recently featured on ABC News' primetime special Latinos in Hollywood and is the co-host of the Webby-nominated podcast Brown & Black.
