Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Bruce Springsteen Speaks Out: Rise With Us and Raise Your Voices

Opinion

Bruce Springsteen Speaks Out: Rise With Us and Raise Your Voices

Bruce Springsteen and Max Weinberg perform during the first night of 'The Land of Hopes and Dreams' tour at Co-op Live on May 14, 2025 in Manchester, England.

Getty Images, Shirlaine Forrest

During Bruce Springsteen’s recent Land of Hope and Dreams tour in Europe, the legendary musician drew the ire of President Trump at a concert in Manchester, England, on May 14, 2025. Springsteen openly criticized the Trump administration, calling it "corrupt, incompetent, and treasonous" and urging the audience to stand against authoritarianism.

He expanded on his concerns during the introduction to My City of Ruins, delivering a powerful statement on the state of democracy. Addressing the crowd, he declared: "There’s some very weird, strange, and dangerous shit going on out there right now. In America, they are persecuting people for using their right to free speech and voicing their dissent. This is happening now. In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. This is happening now."


Springsteen's remarks were met with enthusiastic applause, underscoring the strong support for his message. His condemnation of the Trump administration was not limited to a single event, as he repeated similar critiques at subsequent performances across Europe.

President Trump responded swiftly on Truth Social, launching an attack on Springsteen, branding him a “pushy, obnoxious jerk” and a “dried-out prune.” He further criticized Springsteen's political views as well as his music.

Trump didn’t limit his attacks to Bruce Springsteen. On Monday, May 19, he took to Truth Social, claiming—without presenting any evidence—that Springsteen, Beyoncé, and Bono had been paid by Kamala Harris to appear at her 2024 presidential campaign events. As is often the case with Trump’s accusations, he labeled their actions “CORRUPT & UNLAWFUL” and vowed to launch “a major investigation into this matter.”

For generations, art, music, and theatre have been powerful forces for social change in America, challenging politicians and shaping public discourse. Trump’s attempt to suppress lawful dissent strikes at the very foundation of the country’s democratic ideals. History is rich with examples of the arts reflecting and influencing major societal shifts:

  • Broadway & Theatre: Early musicals, shaped by immigrant communities, explored themes of discrimination and identity. Productions like Show Boat (1927) addressed racism, while Hair (1968) became an anthem of countercultural resistance to the Vietnam War. More recently, Hamilton (2015) reimagined American history through a diverse cast, sparking conversations about representation.
  • Music as Protest: Music has long been a rallying cry for change, from the folk songs of the Civil Rights Movement to hip-hop’s critique of systemic injustice. Artists like Bob Dylan, Nina Simone, and Public Enemy have used their platforms to challenge political narratives and inspire activism.
  • Visual Art & Political Discourse: The Harlem Renaissance of the 1920s celebrated Black identity and resistance, while contemporary street art—such as Banksy's work—continues to challenge authority and provoke thought.

Once again, in a moment of political and cultural upheaval, Americans can turn to the arts as a unifying force. Music, theatre, poetry, and pop culture have the power to connect people across ideological divides. By celebrating what unites us, music in particular can activate millions in a movement for democracy.

Perhaps now is the time to enlist musicians to heed the Call for Democracy —to create a modern-day version of We Are the World in defense of democratic values. Not as a partisan endorsement but as a universal call to protect and preserve democracy itself. Imagine artists across genres—pop, country, hip-hop, rock—coming together in a show of solidarity.

History offers a precedent. In 1985, the world witnessed the transformative impact of We Are the World and Live Aid, two initiatives that used music to raise awareness and fight famine in Africa. They demonstrated the power of collective action to ease human suffering.

Today, in an era of deep political division, Americans can and must unite around one shared principle: the belief in every individual’s right to determine their own destiny. Artists have the ability to touch the soul of a nation, using their voices to stand against authoritarianism.

Springsteen echoed this sentiment during his Land of Hope and Dreams performance in England, issuing a call to action: "In my home, the America I love, the America I've written about—that has been a beacon of hope and liberty for 250 years—is currently in the hands of a corrupt, incompetent, and treasonous administration. Tonight, we ask all who believe in democracy and the best of our American experiment to rise with us, raise your voices against authoritarianism, and let freedom ring."

So today, borrowing the words from Hamilton’s “The Story of Tonight”:

"Raise a glass to freedom, something they can never take away—no matter what they tell you."

David Nevins is co-publisher of The Fulcrum and co-founder and board chairman of the Bridge Alliance Education Fund.


Read More

Bad Bunny’s Super Bowl Show Rekindles America’s Cultural Divide

Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California.

(Photo by Kevin C. Cox/Getty Images)

Bad Bunny’s Super Bowl Show Rekindles America’s Cultural Divide

As a child of the 60s and 70s, music shaped my understanding of the world as it does for so many young people stepping into adulthood today. Watching Bad Bunny stand alone at midfield during the Super Bowl, hearing the roar as his first notes hit, and then witnessing the backlash the next day, I felt something familiar to the time of my youth. The styles have changed, but the cultural divide between young and old, between left and right, around music remains the same. The rancor about who gets to speak, who gets to belong, and whose voices are considered “American” remains remarkably constant.

The parallels to the 1980s are striking. President Ronald Reagan, in a 1983 speech lamenting what he saw as the “decay of values” among my generation, warned that “there are those who portray America as a land of racism, violence, and despair. That is not the America we know.” In his radio commentaries, he went further, arguing that “some of the so‑called protest songs seem more intent on tearing down America than lifting it up.” Fast‑forward to today, and the pattern repeats itself. Before the Super Bowl even began, President Trump announced he would boycott the game and blasted the NFL’s choice of performers as “a terrible choice,” setting the tone for the wave of outrage that followed Bad Bunny’s appearance.

Keep ReadingShow less
Bad Bunny’s Super Bowl Message: We Are All Americans

Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California.

(Photo by Kevin C. Cox/Getty Images)

Bad Bunny’s Super Bowl Message: We Are All Americans

Bad Bunny’s Super Bowl performance was the joy we needed at this time, when immigrants, Latinos, and other U.S. citizens are under attack by ICE.

It was a beautiful celebration of culture and pride, complete with a real wedding, vendors selling “piraguas,” or shaved ice, and “plátanos” (plantains), and a dominoes game.

Keep ReadingShow less
Bad Bunny: Bridging Cultural Divides Through Song and Dance

Bad Bunny-inspired coquito-flavored lattes.

Photo provided by Latino News Network

Bad Bunny: Bridging Cultural Divides Through Song and Dance

Exactly one week before his Apple Music Super Bowl LX Halftime Show performance, Bad Bunny made history at the 68th Grammy Awards after his latest studio album, DeBÍ TiRAR MáS FOTos, became the first Spanish-language project to win Album of the Year in Grammy history. Despite facing heavy criticisms that expose existing socio-cultural tensions in the U.S., Bad Bunny, born Benito Ocasio, will continue to make history as the first Spanish-language solo headliner at the Halftime Show, bridging sociocultural divides in the most Boricua way: through song and dance.

The NFL’s announcement of this year’s Super Bowl headliner in late September drew significant criticism, particularly from American audiences.

Keep ReadingShow less
Word Kill: Politics Can Be Murder on Poetry

A poster featuring Renee Good sits along the street near a memorial to Good on January 16, 2026 in Minneapolis, Minnesota.

(Photo by Scott Olson/Getty Images)

Word Kill: Politics Can Be Murder on Poetry

Across the United States and the world, millions are still processing the recent killing of Renee Nicole Good in Minneapolis by ICE agents. Reactions have intensified as more recently ICE agents shot a Venezuelan man in the same city, and additional National Guard troops have been deployed there.

Many were shocked learning of Good’s shooting, and the shock grew as more information and details about the events leading up to her death, as well as facts about Good herself.

Keep ReadingShow less