Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Bruce Springsteen Speaks Out: Rise With Us and Raise Your Voices

Opinion

Bruce Springsteen Speaks Out: Rise With Us and Raise Your Voices

Bruce Springsteen and Max Weinberg perform during the first night of 'The Land of Hopes and Dreams' tour at Co-op Live on May 14, 2025 in Manchester, England.

Getty Images, Shirlaine Forrest

During Bruce Springsteen’s recent Land of Hope and Dreams tour in Europe, the legendary musician drew the ire of President Trump at a concert in Manchester, England, on May 14, 2025. Springsteen openly criticized the Trump administration, calling it "corrupt, incompetent, and treasonous" and urging the audience to stand against authoritarianism.

He expanded on his concerns during the introduction to My City of Ruins, delivering a powerful statement on the state of democracy. Addressing the crowd, he declared: "There’s some very weird, strange, and dangerous shit going on out there right now. In America, they are persecuting people for using their right to free speech and voicing their dissent. This is happening now. In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. This is happening now."


Springsteen's remarks were met with enthusiastic applause, underscoring the strong support for his message. His condemnation of the Trump administration was not limited to a single event, as he repeated similar critiques at subsequent performances across Europe.

President Trump responded swiftly on Truth Social, launching an attack on Springsteen, branding him a “pushy, obnoxious jerk” and a “dried-out prune.” He further criticized Springsteen's political views as well as his music.

Trump didn’t limit his attacks to Bruce Springsteen. On Monday, May 19, he took to Truth Social, claiming—without presenting any evidence—that Springsteen, Beyoncé, and Bono had been paid by Kamala Harris to appear at her 2024 presidential campaign events. As is often the case with Trump’s accusations, he labeled their actions “CORRUPT & UNLAWFUL” and vowed to launch “a major investigation into this matter.”

For generations, art, music, and theatre have been powerful forces for social change in America, challenging politicians and shaping public discourse. Trump’s attempt to suppress lawful dissent strikes at the very foundation of the country’s democratic ideals. History is rich with examples of the arts reflecting and influencing major societal shifts:

  • Broadway & Theatre: Early musicals, shaped by immigrant communities, explored themes of discrimination and identity. Productions like Show Boat (1927) addressed racism, while Hair (1968) became an anthem of countercultural resistance to the Vietnam War. More recently, Hamilton (2015) reimagined American history through a diverse cast, sparking conversations about representation.
  • Music as Protest: Music has long been a rallying cry for change, from the folk songs of the Civil Rights Movement to hip-hop’s critique of systemic injustice. Artists like Bob Dylan, Nina Simone, and Public Enemy have used their platforms to challenge political narratives and inspire activism.
  • Visual Art & Political Discourse: The Harlem Renaissance of the 1920s celebrated Black identity and resistance, while contemporary street art—such as Banksy's work—continues to challenge authority and provoke thought.

Once again, in a moment of political and cultural upheaval, Americans can turn to the arts as a unifying force. Music, theatre, poetry, and pop culture have the power to connect people across ideological divides. By celebrating what unites us, music in particular can activate millions in a movement for democracy.

Perhaps now is the time to enlist musicians to heed the Call for Democracy —to create a modern-day version of We Are the World in defense of democratic values. Not as a partisan endorsement but as a universal call to protect and preserve democracy itself. Imagine artists across genres—pop, country, hip-hop, rock—coming together in a show of solidarity.

History offers a precedent. In 1985, the world witnessed the transformative impact of We Are the World and Live Aid, two initiatives that used music to raise awareness and fight famine in Africa. They demonstrated the power of collective action to ease human suffering.

Today, in an era of deep political division, Americans can and must unite around one shared principle: the belief in every individual’s right to determine their own destiny. Artists have the ability to touch the soul of a nation, using their voices to stand against authoritarianism.

Springsteen echoed this sentiment during his Land of Hope and Dreams performance in England, issuing a call to action: "In my home, the America I love, the America I've written about—that has been a beacon of hope and liberty for 250 years—is currently in the hands of a corrupt, incompetent, and treasonous administration. Tonight, we ask all who believe in democracy and the best of our American experiment to rise with us, raise your voices against authoritarianism, and let freedom ring."

So today, borrowing the words from Hamilton’s “The Story of Tonight”:

"Raise a glass to freedom, something they can never take away—no matter what they tell you."

David Nevins is co-publisher of The Fulcrum and co-founder and board chairman of the Bridge Alliance Education Fund.


Read More

Dolly Parton performs on stage, holding a white, bedazzled guitar.

Dolly Parton performs on The Pyramid Stage on Day 3 of the Glastonbury Festival at Worthy Farm on June 29, 2014.

Shirlaine Forrest/Getty Images

Dolly Parton and the America We Keep Forgetting We Can Be

At a time when many Americans are retreating into rigid identities, Dolly Parton has been one of the few public figures able to speak to every corner of America. She had appeal across the board, no matter whether people were from the rural areas, the cities, the evangelical groups, or the gay community. She was not simply loved; she was trusted too. And in these deeply polarized times we are living in, trust is in desperately short supply.

For sixty years, Dolly Parton has stood as an example of the kind of pluralism based on dignity that our politics has lost and that many people have sadly rejected. She never preached her beliefs and seldom, if at all, talked about politics. Instead, she showed through her life how one can respect one's roots without using them as weapons. Dolly welcomed diversity without fear, and built bridges without ever giving a speech on bridge-building. Because she lived out the beliefs she sang about, she became one of America's most effective advocates for dignity.

Keep ReadingShow less
Bruce Springsteen In Concert, facing his audience.

Bruce Springsteen and the E Street Band in concert at Nationals Park on May 27, 2026 in Washington, DC.

Paul Morigi / Getty Images

Springsteen’s October D.C. Festival Pushes Music Into Democracy Fight

Bruce Springsteen has always spoken his mind through politics and expressed it through his music. For decades, he has treated the stage as a platform for the causes he believes in — a place where songs become arguments, and performance becomes a form of public conscience. His work has long insisted that American culture and American democracy are intertwined, that the stories we tell ourselves shape the country we become. So when he steps onstage in October for the “Power to the People Festival” in Washington, D.C., it is likely that this will just be the next chapter in his lifelong effort to defend democratic values through art.

Bruce Springsteen has spent the past year making no secret of his views on the current administration, expressing them with increasing bluntness from the stage. His recent performances have shown that when he believes democracy is at risk, he does not whisper — he raises his voice. Given that history, no one should expect him to be quiet in October. So when he stepped onstage in Washington, D.C., and previewed the upcoming “Power to the People Festival,” it felt less like a surprise and more like the next verse in a long American tradition of artists using their platforms to defend democratic values.

Keep ReadingShow less
A Hollow Song for a Hollow Patriotism: Reclaiming the Real Patriotic Ballads
Imagine a democracy concert followed by a yearlong democracy call to action roadshow—designed to build a new civic movement
Getty Images, gilaxia

A Hollow Song for a Hollow Patriotism: Reclaiming the Real Patriotic Ballads

After musician after musician pulled out from Trump’s June 24 “Freedom 250” concert, we’re left with Lee Greenwood and an opera tenor. The anthem that made Greenwood a star, “God Bless the USA,” was written in 1985 during the height of the Cold War. It begins with the specter of loss—“If tomorrow—all the things were gone, I’d worked for all my life / And I had to start all over with my children and my wife.” Then the wounds disappear before they’re felt: “I’d thank my lucky stars to be living here today / Because the flag still stands for freedom and they can’t take that away.”

Ronald Reagan made the song his campaign theme while launching a new age of American inequality by systematically busting unions and cutting taxes for the wealthiest. Greenwood treats layoffs and the resulting toll on ordinary lives as a mere inconvenience. As the refrain shifts from violins and a church organ to a military march, he repeats, “I’m proud to be an American, where at least I know I’m free / And I won’t forget the men who died who gave that right to me.”

Keep ReadingShow less