Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Political Spectacle: Sydney Sweeney’s “Great Jeans”

News

Political Spectacle: Sydney Sweeney’s “Great Jeans”

A digital advertising display featuring US actress Sydney Sweeney is seen outside an American Eagle store in Times Square in New York City on August 4, 2025.

Photo by TIMOTHY A. CLARY/AFP via Getty Images

What began as a denim campaign has morphed into a political spectacle, with far-right groups, conservative commentators, and progressive critics all weighing in on Sydney Sweeney’s American Eagle ad. The slogan—“Sydney Sweeney has great jeans”—was interpreted by many as a pun on “genes,” sparking accusations of racial messaging and white supremacist undertones.

- YouTube youtu.be


Launched on July 23, the campaign features Sweeney—known for her roles in Euphoria and The White Lotus—posing in denim, working on a car, and narrating lines like:

“Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My jeans are blue.”

The pun on “genes” and “jeans” was intended to highlight fashion, but critics quickly accused the ad of echoing eugenics-era rhetoric, especially given Sweeney’s blonde hair and blue eyes.

President Donald Trump was quick to praise the ad and Sweeney’s political affiliation:

“If Sydney Sweeney is a registered Republican, I think the ad is fantastic,” he said before boarding Marine One.

He later posted on Truth Social (before deleting it):

“Jeans flying off the shelves. HOTTEST ad out there. Go get ’em Sydney!”

The Proud Boys, a far-right extremist group, allegedly escalated the controversy by vandalizing an American Eagle billboard in Los Angeles with the message:

“Proud Boys love Sydney Sweeney. She has the best blue genes.”

Critics on the left have accused the ad of subtly promoting eugenicist ideals. CNN questioned whether American Eagle had created a “scary white-supremacist dog-whistle ad”.

MSNBC columnist Katelyn Burns argued:“

The ad is just vague enough to be deniable, yet it gives the right an opportunity to paint leftists as out-of-touch and cancel-hungry.”

“It seemed clear to me that they were aligning themselves with a white nationalist, MAGA-friendly identity,” Shalini Shankar, an anthropology professor at Northwestern University who studies youth and advertising, told CNN. “I think that this is them trying to rebrand themselves for the present moment, and language is very deliberately used here. People don’t invoke genetics casually. It’s just, it’s very, very easy to sell denim without ever referencing it.”


American Eagle responded on August 1 with a statement: “‘Sydney Sweeney Has Great Jeans’ is and always was about the jeans. Her jeans. Her story. We’ll continue to celebrate how everyone wears their AE jeans with confidence, their way.” Despite the backlash, the campaign has driven a surge in sales and stock prices, suggesting that controversy may have boosted brand visibility.

Some media analysts suggest Sweeney may be leveraging outrage as part of a broader publicity strategy. As one article put it: “Sweeney’s ability to become a focal point of controversy—including drawing comments from Trump—demonstrates a calculated grasp of public influence.”

Rolling Stone traced her political associations back to a 2022 family party where guests wore MAGA-style hats and Blue Lives Matter shirts. Sweeney responded at the time: “Please stop making assumptions… The people in the pictures weren’t even my family.”

This controversy isn’t just about jeans—it’s about how beauty, whiteness, and political affiliation are commodified in American media. Sweeney’s silence amid the storm has only fueled speculation.

As denim becomes the unlikely battleground for political discourse, the “Great Jeans” saga underscores how even fashion ads can become lightning rods for deeper societal tensions.

Hugo Balta is the executive editor of the Fulcrum and the publisher of the Latino News Network.


Read More

Bruce Springsteen In Concert, facing his audience.

Bruce Springsteen and the E Street Band in concert at Nationals Park on May 27, 2026 in Washington, DC.

Paul Morigi / Getty Images

Springsteen’s October D.C. Festival Pushes Music Into Democracy Fight

Bruce Springsteen has always spoken his mind through politics and expressed it through his music. For decades, he has treated the stage as a platform for the causes he believes in — a place where songs become arguments, and performance becomes a form of public conscience. His work has long insisted that American culture and American democracy are intertwined, that the stories we tell ourselves shape the country we become. So when he steps onstage in October for the “Power to the People Festival” in Washington, D.C., it is likely that this will just be the next chapter in his lifelong effort to defend democratic values through art.

Bruce Springsteen has spent the past year making no secret of his views on the current administration, expressing them with increasing bluntness from the stage. His recent performances have shown that when he believes democracy is at risk, he does not whisper — he raises his voice. Given that history, no one should expect him to be quiet in October. So when he stepped onstage in Washington, D.C., and previewed the upcoming “Power to the People Festival,” it felt less like a surprise and more like the next verse in a long American tradition of artists using their platforms to defend democratic values.

Keep ReadingShow less
A Hollow Song for a Hollow Patriotism: Reclaiming the Real Patriotic Ballads
Imagine a democracy concert followed by a yearlong democracy call to action roadshow—designed to build a new civic movement
Getty Images, gilaxia

A Hollow Song for a Hollow Patriotism: Reclaiming the Real Patriotic Ballads

After musician after musician pulled out from Trump’s June 24 “Freedom 250” concert, we’re left with Lee Greenwood and an opera tenor. The anthem that made Greenwood a star, “God Bless the USA,” was written in 1985 during the height of the Cold War. It begins with the specter of loss—“If tomorrow—all the things were gone, I’d worked for all my life / And I had to start all over with my children and my wife.” Then the wounds disappear before they’re felt: “I’d thank my lucky stars to be living here today / Because the flag still stands for freedom and they can’t take that away.”

Ronald Reagan made the song his campaign theme while launching a new age of American inequality by systematically busting unions and cutting taxes for the wealthiest. Greenwood treats layoffs and the resulting toll on ordinary lives as a mere inconvenience. As the refrain shifts from violins and a church organ to a military march, he repeats, “I’m proud to be an American, where at least I know I’m free / And I won’t forget the men who died who gave that right to me.”

Keep ReadingShow less
Colbert’s Final Late Show Reveals What We’re Losing in Public Dialogue

Stephen Colbert attends the 51st Chaplin Award Gala honoring George Clooney at Alice Tully Hall, Lincoln Center on April 27, 2026 in New York City.

(Photo by Gilbert Carrasquillo/GC Images)

Colbert’s Final Late Show Reveals What We’re Losing in Public Dialogue

Stephen Colbert hosted The Late Show for the last time last week.

Tributes have been pouring in for Colbert’s nightly monologue and comedic genius. And rightly so. He has a unique and deeply humane way of making the unbearable bearable, giving us a little light and lift on our darkest days.

Keep ReadingShow less
Stapleton’s Colbert Performance Shows Power of Nonpolitical Messages

Chris Stapleton performs onstage during the 59th Annual CMA Awards at Bridgestone Arena on November 19, 2025 in Nashville, Tennessee..

(Photo by Astrida Valigorsky/WireImage)

Stapleton’s Colbert Performance Shows Power of Nonpolitical Messages

On May 6th, I watched Chris Stapleton perform “Living in the Promiseland” on The Late Show with Stephen Colbert. The song, a Willie Nelson classic from 1985, hit me hard. Originally, Nelson released it at a time when debates about immigration and the American dream were in the headlines, and the song became an anthem of hope and inclusivity. These days, almost everything gets viewed through a political lens, but the song’s opening lines felt powerful without being political:

Give us your tired and weak, and we will make them strong
Bring us your foreign songs, and we will sing along
Leave us your broken dreams, we'll give them time to mend
There's still a lot of love living in the promised land

Keep ReadingShow less