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Research shows that emotional, cognitive, and social mechanisms drive both direct and indirect contact, offering scalable ways to reduce political polarization.

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“Direct” and “Indirect” Contact Methods Likely Work in Similar Ways, so They Should Both Be Effective

In a previous article, we argued that efforts to improve the political environment should reach Americans as media consumers, in addition to seeking public participation. Reaching Americans as media consumers uses media like film, TV, and social media to change what Americans see and hear about fellow Americans across the political spectrum. Participant-based efforts include dialogues and community-based activities that require active involvement.

In this article, we show that the mechanisms underlying each type of approach are quite similar. The categories of mechanisms we cover are emotional, cognitive, relational, and repetitive. We use the terms from the academic literature, “direct” and “indirect” contact, which are fairly similar to participant and media consumer approaches, respectively.

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The American Experiment Requires Robust Debate, Not Government Crackdowns

As political violence threatens democracy, defending free speech, limiting government overreach, and embracing pluralism matters is critical right now.

Getty Images, Javier Zayas Photography

The American Experiment Requires Robust Debate, Not Government Crackdowns

The assassinations of conservative leader Charlie Kirk and Democratic lawmakers in Minnesota have triggered endorsements of violence and even calls for literal war on both the far right and far left. Fortunately, an overwhelming majority of Americans reject political violence, but all of us are in a fight to keep our diverse and boisterous brand of democracy alive. Doing so requires a renewed commitment to pluralism and a clear-headed recognition of the limits of government, especially when proposals entail using the criminal justice system to punish speech.

Pluralism has been called the lifeblood of a democracy like ours, in which being an American is not defined by race or religion. It requires learning about and accepting our differences, and embracing the principle that, regardless of them, every person is entitled to be protected by our Constitution and have a voice in how we’re governed. In contrast, many perpetrators of political violence rationalize their acts by denying the basic humanity of those with whom they disagree. They are willing to face the death penalty or life in prison in an attempt to force everyone to conform to their views.

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A woman sitting down and speaking with a group of people.

The SVL (Stories, Values, Listen) framework—which aims to bridge political divides with simple, memorable steps for productive cross-partisan conversations—is an easy-to-use tool for making an impact at scale.

Getty Images, Luis Alvarez

Make Talking Politics Easier and More Scalable: Be SVL (Stories, Values, Listen)

How can one have a productive conversation across the political spectrum?

We offer simple, memorable guidance: Be SVL (pronounced like “civil”). SVL stands for sharing Stories, relating to a conversation partner’s Values, and closely Listening.

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St. Patrick’s Cathedral’s Mural: Art, Immigration, and the American Spirit

People attend a mass and ceremony for a new mural dedicated to New York City’s immigrant communities and honoring the city’s first responders at St. Patrick’s Cathedral on September 21, 2025 in New York City.

(Photo by Spencer Platt/Getty Images)

St. Patrick’s Cathedral’s Mural: Art, Immigration, and the American Spirit

In a bold fusion of sacred tradition and contemporary relevance, artist Adam Cvijanovic has unveiled a sweeping new mural at St. Patrick’s Cathedral in New York City—one that reimagines the historic narthex as a vibrant ode to peace, migration, and spiritual continuity.

In an age of polarization and performative politics, it’s rare to find a work of art that speaks with both spiritual clarity and civic urgency. Yet that’s exactly what “What’s So Funny About Peace, Love and Understanding” accomplishes. The piece is more than a visual upgrade to a “dreary” entranceway—it’s a theological and cultural intervention, one that invites every visitor to confront the moral stakes of our immigration discourse.

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