In the comments section of his New York Times column titled “ Musk Said No One Has Died Since Aid Was Cut. That Isn’t True,” Nick Kristof wrote: “I think that President Trump and Elon Musk thought the U.S. Agency for International Development (USAID) would be an easy target and could be a practice run for raiding something harder, like Medicaid. In reporting this story, I tried to put human faces on the aid cuts and appeal to readers' consciences, but I wonder whether it's more effective to appeal to the public's sense of self interest? Which arguments do you think are most effective in reaching people and changing minds?”
As a citizen advocate who has spent more than 40 years working to improve USAID, waves of grief keep coming over me due to the reckless and shameful dismemberment of the agency. Attempts by Musk and Trump to shut down USAID amount to vandalizing America’s soul.
Here's why I say that demolishing USAID is like vandalizing America’s soul, why it is wrong to decimate an agency that Elon Musk calls “evil” and “a criminal organization” that “needs to die” and that President Trump said is run by “lunatic radicals”. Listen to the late-U.S. Senator Mark Hatfield (R-OR) who, in 1982, spoke to our deepest aspirations as individuals and as a nation. In an Oregonian op-ed Hatfield wrote, “We stand by as children starve by the millions because we lack the will to eliminate hunger. Yet, we have found the will to develop missiles capable of flying over the polar cap and landing within a few hundred feet of their target. This is not innovation; it is a profound distortion of humanity’s purpose on earth.”
USAID is not a perfect organization, but it is one key tool the U.S. has for correcting that distortion of humanity’s purpose on earth.
Here’s an example of USAID’s importance. In the mid-1980s, globally, 3.5 million children were dying each year from six vaccine-preventable diseases (listen up RFK Jr.!): diphtheria, whooping cough, tetanus, measles, polio, and tuberculosis. At the time, a dose of vaccine to prevent the greatest killer, measles, cost a mere six cents. By 2017, globally, an estimated 700,000 children died each year from these vaccine-preventable diseases—a reduction in child deaths of 80 percent.
USAID matters not only for what it does but for how it impacts other donor countries. In a New York Times interview in 2013, former UNICEF Deputy Executive Director Kul Chandra Gautam said that it was the U.S. leadership on child survival “….that led many other countries to come on board.” Will our abandonment of the world’s poorest children and their families lead other nations to follow our lead and result in an alarming rise in global child deaths?
Hearing about millions of lives saved can make our eyes glaze over and miss the impact on individuals. UNICEF’s State of the World’s Children 1986 Report concluded with the words of Maria Auxilia Paja, a mother from a rural area in South America. A trained health worker arrived in her village but only after two of Paja’s children had already died, one from a respiratory infection and the other from measles. Paja said:
“For the baby boy, I tried to get help, but as I was carrying him for help, he just died in my arms. My daughter was older. I had got used to playing with her, being with her. It’s difficult. . . . It’s sad to remember those times with my children. She was alright when she went to bed. By midnight she was sick. She died just as day broke. I am not alone. It’s happened to a lot of women.”
“Maria Auxilia Paja is indeed not alone,” the report concluded. “In the last 12 months, approximately 15 million mothers like her have been forced to watch their children die.”
Because of the work of USAID and others, 10 million of those 15 million child deaths are now prevented each year, a two-thirds reduction in global child deaths. But with five million children still dying each year from mostly preventable causes, now is not the time to retreat from the parts of the aid budget that work.
We should locate wasteful spending in all areas of government but you don’t do that by firing USAID’s Inspector General and putting Elon Musk’s army of 20-somethings in charge. The Congress should do its job; protect effective aid and remove any abuse. When the Senate approved a continuing resolution in early March to extend federal funding for the remainder of the fiscal year, they voted down, by a vote of 73-27, an amendment introduced by Sen. Rand Paul that would cut foreign assistance funding by $16 billion. Twenty-seven Republicans voted against Sen. Paul’s amendment to cut foreign aid. Maybe some in Congress are finding their conscience (and some backbone).
Andrew Natsios, a lifelong Republican who ran USAID under President George W. Bush, said that what Musk and Rubio are doing “is criminal”. I agree with Natsios and I think Hatfield would too. I look at what Musk, Trump and Rubio are doing and see a profound distortion of humanity’s purpose on earth.
Sam Daley-Harris is the author of “ Reclaiming Our Democracy: Every Citizen’s Guide to Transformational Advocacy ” (Rivertowns Books, 2025 paperback) and the founder of RESULTS and Civic Courage.
U.S. President Donald Trump delivers the State of the Union address during a joint session of Congress in the House Chamber at the Capitol on Feb. 24, 2026, in Washington, D.C. Trump delivered his address days after the Supreme Court struck down the administration's tariff strategy, and amid a U.S. military buildup in the Persian Gulf threatening Iran.
Some MAGA loyalists have turned on Trump. Why the rest haven’t
I recently watched "A Face in the Crowd" for the umpteenth time.
I had a better reason than procrastination to rewatch Elia Kazan’s brilliant 1957 film exploring populism in the television age. It was homework. I was asked to discuss it with Turner Classic Movies host Ben Mankiewicz at the just-concluded TCM Film Festival in Los Angeles. As a pundit and an author, I do a lot of public speaking. But I don’t really do a lot of cool public speaking, so this was a treat.
With that not-very-humble brag out of the way, I had a depressing realization watching it this time.
"A Face in the Crowd" tells the story of a charming drifter with a dark side named Larry “Lonesome” Rhodes, played brilliantly by Andy Griffith. A singer with the gift of the gab, Rhodes takes off on radio but quickly segues to the brand-new medium of television. He becomes a national sensation — and political kingmaker — by forming a deep connection with the masses, particularly among the rural and working classes. His core audience is made up of people with grievances. “Everybody that’s got to jump when somebody else blows the whistle,” as Rhodes puts it.
The film’s climax (spoiler alert) comes when Rhodes’ manager and spurned lover, Marcia, turns on the microphone while the credits rolled at the end of “Cracker Barrel,” his national TV show. Rhodes tells his entourage what he really thinks of the “morons” in his audience. “Shucks, I can take chicken fertilizer and sell it to them for caviar. I can make them eat dog food, and they’ll think it’s steak. … Good night, you stupid idiots.”
It was a canonical “hot mic” moment in American cinema. But the idea that if people could glimpse the “real person” behind the popular facade, they’d turn on them is a very old theme in literature — think Pierre Choderlos de Laclos’ "Les Liaisons Dangereuses" (1782) or Richard Brinsley Sheridan’s "The School for Scandal" (1777), in which diaries and letters do the work of microphones.
Kazan and screenwriter Budd Schulberg were very worried about the ability of demagogues to whip up populist fervor and manipulate the masses through the power of TV, in part because everyone had already seen it happen with radio and film, by Father Coughlin in America and Hitler in Germany. But as dark as their vision was, they still clung to the idea that if the demagogue was exposed, the people would instantly turn on their leader in an “Emperor’s New Clothes” moment for the mass media age.
And that’s the source of my depressing realization. I think they were wrong. It turns out that once that organic connection is made, even a shocking revelation of the truth won’t necessarily break the spell.
In 2016, a lot of writers revisited "A Face in the Crowd" to understand the Trump phenomenon. After all, here was a guy who used a TV show — "The Apprentice" — and social media to build a massive following, going over the heads of the “establishment.” Trump’s own hot mic moment with "Access Hollywood," in which he boasted of his sexual predations, proved insufficient to undo him. That was hardly the only such moment for him. We’ve heard Trump bully the Georgia secretary of state to “find 11,780 votes.” He told Bob Woodward he deliberately “played down” COVID-19. After leaving office, he was recorded telling aides he shouldn’t be sharing classified documents with them — then doing it anyway. And so on.
Trump’s famous claim that he could “shoot somebody” on Fifth Avenue and not lose any voters may have been hyperbole. But it’s not crazy to think he wouldn’t lose as many voters as he should.
In the film, Lonesome Rhodes implodes when Americans encounter his off-air persona. The key to Trump’s success is that he ran as his off-air persona. Why people love that persona is a complicated question. Among the many complementary explanations is that he comes across as authentic, and some people value authenticity more than they value good character, honesty, or competence.
This is not just a problem for Republicans. Maine Senate candidate Graham Platner once had a Nazi tattoo and has said things about women as distasteful as Trump’s “grab them by (the genitals)” comments, and the Democratic establishment is rallying around him because he’s authentic — and because Democrats want to win that race.
Many prominent MAGA loyalists are turning on Trump these days. They claim — wrongly in my opinion — that he’s changed and that the Iran war is a betrayal of their cause. But if you look at the polls, voters who describe themselves as “MAGA” still overwhelmingly support Trump. In short, he still has the Fifth Avenue voters on his side.
Jonah Goldberg is editor-in-chief of The Dispatch and the host of The Remnant podcast. His Twitter handle is @JonahDispatch.