Skip to content
Search

Latest Stories

Follow Us:
Top Stories

African American Literature Matters

Opinion

African American Literature Matters

Girl (6-8) looking at book in library, silhouette

Getty Images//Terry Vine

This year's observance of Black History Month carries forward the centennial anniversary of the Harlem Renaissance. However, in this reflective season, we find ourselves at a crossroads that would be painfully familiar to those pioneering writers and artists of the 1920s.

The significance of African American literature has never been more profound. This is neither an imaginative nor conspiratorial factoid, especially amid the systematic dismantling of DEI initiatives, ethnic-centered curricula, and history. With six states and counting passing anti-DEI laws, universities nationwide are discontinuing their diversity programs. And more than 30 bills across the United States now target diversity initiatives in public colleges, threatening to unravel decades of progress in educational equity and cultural understanding. These actions are not just judicious administrative decisions. On the contrary, there are meticulously coordinated attempts to mute the very voices and existence of people and their sociocultural experiences and artifacts across generations. Illuminating why African American literature and ethnocultural genres remain paramount.


The parallels between our present moment and the birth of the Harlem Renaissance are undeniable. Then, as now, Black writers faced a society that sought to minimize their experiences and contributions. The response wasn't retreat but renaissance—a flowering of artistic expression that changed the world and reshaped American culture irrevocably. African American literary works have forever served a dual purpose: art and as an instrument of social change. From the searing testimonies of slave narratives to the jazz-infused poetry of Langston Hughes, from Zora Neale Hurston's folk-rooted storytelling to Toni Morrison's mythic explorations of Black experience, this literary tradition has consistently done more than tell stories—it has preserved history, challenged oppression, and imagined new possibilities for justice and equality.

African American literature’s prowess resides in its capacity to transform personal experience into universal truth. When Ralph Ellison wrote on invisibility, he wasn't just describing the Black experience in America—he was illuminating the human condition of being unseen, unheard, and misunderstood. When Maya Angelou asked why the caged bird sings, she spoke to anyone who fought for freedom against overwhelming odds. This universality, paradoxically achieved through the most specific and personal stories, makes African American literature relevant and essential to understanding the American experience.

Though numerous institutions are reevaluating or removing resources for underrepresented Americans from their websites and curricula, African American literature serves as both a repository of epic memory and a beacon for the future. The literature that emerged from the Harlem Renaissance didn't just document a movement; it became the movement, creating spaces for Black voices where none existed. African American literary tradition has always understood that words and art are the means for articulating struggle—the experience of being both American and Black in a society that never fully recognizes or respects such a reality. African American literature's exploration and explication of such complexity remains important as we grapple with questions of identity, belonging, and justice.

The relevance of Black Americans' literary contributions should not be debated. Our literary tradition offers what no policy can erase: authentic voices speaking truth to power, creating beauty from struggle, and insisting on the full humanity of all people. Black folks’ pens, brushes, and instruments provide a counter-narrative to simplifying or sanitizing American history.

As distractors diligently seek to silence uniquely diverse voices, my people's literature speaks louder than ever. There is life and power in logos— to illuminate truth, inspire change, and build understanding. No legislative agenda or executive decree can veto that divine reality. The power of yours, mine, and our story can change hearts, open minds, and transform worlds.

Rev. Dr. F. Willis Johnson is a spiritual entrepreneur, author, and scholar-practitioner whose leadership and strategies around social and racial justice issues are nationally recognized and applied.


Read More

Two soccer, football, players colliding over the ball.

Alex Freeman #16 of the United States competes for the ball against Jeremy Doku #11 of Belgium during the FIFA World Cup 2026 Round of 16 match between USA and Belgium at Seattle Stadium on July 06, 2026 in Seattle, Washington.

Luke Hales/Getty Images

World Cup in Living Color

Scan the faces on this summer’s European World Cup squads: France, England, Germany, the Netherlands. The jerseys hang on shoulders brown, black, olive, fair. These are not the sanitized, single-story teams that once stood for “nation.” They’re unruly, multicolored, undeniably global. And for once, the United States—so often an outlier—seems less exceptional and more like a willing participant in this reimagining of who “belongs” on the field.

Football—let’s call it what it is, the world’s game—has always reflected the societies that shape it, sometimes as a mirror, sometimes as a funhouse. For decades, European countries clung to self-mythologies, their national teams meant to be pure expressions of heritage: the most French of Frenchmen, the most English of the English. But the game, like the world, refused to stand still. The children and grandchildren of immigrants kept arriving, first in club academies and then on national teams, until no one could deny what was already on the field.

Keep ReadingShow less
U.S. Vice President JD Vance

U.S. Vice President JD Vance speaks to members of the media at the Buergenstock Resort Lake Lucerne, after the U.S. and Iran held high-level talks at the Lake Lucerne Summit on June 22, 2026 near Stansstad, Switzerland.

Pool / Getty Images

The Feigned Confusion of JD Vance: Erasure by Design

"What did Black people do to this administration that has allowed it to really stigmatize folks of color?" Whoopi Goldberg asked Vice President JD Vance last week, when he joined The View to discuss his new memoir. Rather than answer the question, Vance's first response was to feign ignorance. But he wasn't confused. Vance has simply learned that feigned confusion buys him room to say what an entire administration actually believes—not that Black people are hated, but that we are an inconvenience to be erased.

Goldberg and her cohost, Sunny Hostin, followed up with specifics: the removal of Black history from government buildings, Black military leaders sidelined, and contributions denigrated at every turn. Vance's response was to insist everyone is welcome in their political coalition. It wasn't an answer.

Keep ReadingShow less
A Night at Chase Field Revealed a Different America

Mexican Heritage Night, June 4, 2026

A Night at Chase Field Revealed a Different America

I didn’t love seeing the charge for the baseball tickets hit my credit card. Like Americans, I’ve watched expenses and discretionary costs rise. A night at the ballpark felt like a luxury rather than a routine outing. Still, I wanted time with my two grandsons—one a devoted Los Angeles Dodgers fan, the other a loyal Arizona Diamondbacks fan.

That alone promised an interesting evening.

Keep ReadingShow less