Skip to content
Search

Latest Stories

Top Stories

We must live ‘Both Sides Now’

We must live ‘Both Sides Now’

Larry Hulst
/ Contributor / Getty Images

Now more than ever, duality is a concept that can help us understand politics as well as life itself. Duality teaches us that every aspect of life is created from a balanced interaction between opposite and competing forces. We learn the most about ourselves when we interact with people who are different.

One might say that things are totally out of balance in our nation during this time of vindictiveness, of “I am right, you are wrong” thinking. But sometimes these aberrations are needed to put things in perspective to open the door to a new paradigm.


Duality teaches us that we cannot understand hot unless we have experienced cold, or up unless we have a sense of down, or in the case of politics we can not understand cross-partisanship without having an awareness of liberal and conservative. And in the same context perhaps the intensity of the current political dysfunctional will lead us to understand the duality of healthy and unhealthy self-governance and lead us to a better way.

The iconic song “Both Sides Now” written in 1966 by Joni Mitchell —- then in her

early 20s — speaks to this duality in a powerful way that has stood the test of time. It’s a duality that speaks to life in our nation today. The song also

speaks to the work we must do to awaken America to a new way of thinking:

I've looked at clouds from both sides now

From up and down and still somehow

It's cloud illusions I recall

I really don't know clouds at all

Listen to Mitchell singing “Both Side Now” in 1969 on the “Mama Cass Show

plus two more recent renditions: one by Kim Sheehy on “ The Voice ” as she made an emotional comeback after three years of self-development and reflection, and another by Seal at a celebration of Joni Mitchell’s 75th birthday:

As publishers of The Fulcrum we hope to inspire our readers to dream of the better future we will co-create for our children and grandchildren, as we serve as the connective tissue, providing community with each other and connection to each other. Let us move beyond the “I win, you lose” current political process

and realize as Mitchell did that we’ll never understand everything. As the

clouds change so should our understandings and perspectives change. Let

us not be deceived by the illusions of the political circus that reduces the

complexity of our world into sound bites:

I've looked at life from both sides now

From win and lose and still somehow

It's life's illusions I recall

I really don't know life at all

There is wistfulness and longing with which Joni Mitchell speaks to the loneliness of “being right” in a world gone wrong. She was — and we are — seeking connection. Connection is only available if we acknowledge what we don’t know, that another perspective might have value in helping us grow.

Listen and enjoy …... and envision a nation of “Both Sides Now.” And if so inclined we invite you to share with us at pop-culture@fulcrum.us your vision of such a nation.

Read More

Don’t Be a Working Class Hero — Just Imagine!

John Lennon’s “Imagine” comforts, but his forgotten songs like “Working Class Hero” and “Gimme Some Truth” confront power — and that’s why they’ve been buried.

Getty Images, New York Times Co.

Don’t Be a Working Class Hero — Just Imagine!

Everyone knows John Lennon’s “Imagine.”

It floats through Times Square on New Year’s Eve, plays during Olympic ceremonies, and fills the air at corporate galas meant to celebrate “unity.” Its melody is tender, its message is simple, and its premise is seductive: If only we could imagine a world without possessions, borders, or religion, we would live in peace.

Keep ReadingShow less
The Elephant in the Room’ Is a Rom-Com for Our Political Moment

The Elephant in the Room is available now to rent or buy on major streaming platforms.

Picture Provided

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

Keep ReadingShow less
The Life of a Showgirl Bodes Unwell for Popular Feminism

Taylor Swift

Michael Campanella/TAS24/Getty Images

The Life of a Showgirl Bodes Unwell for Popular Feminism

Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

Keep ReadingShow less
Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

Keep ReadingShow less