Escobar served honorably for four years in the Air Force. Following his time as a skilled F-15 Fighter Jet mechanic, he contributed to military justice, assisting attorneys in upholding military discipline. He recently founded a company called True College with a mission to help low-income students navigate the college application process.
The recent incarceration of Duane Davis, or "Keffe D," tethered to the ominous murder of the prolific Tupac Shakur in 1996, has inadvertently resurrected discussions around Tupac's audacious political lyrics. Even after a quarter of a century, the hard-hitting messages embedded within Tupac's rhythms pulsate with relevance, striking chords in the heart of America’s contemporary socio-political landscape.
With verses echoing the cries against systemic injustices, police brutality, and the racial disenfranchisement of the black community, Tupac’s musical legacy continues to breathe life into the ongoing struggles and resonates in today’s tumultuous American political climate.
Navigating through his lyrical labyrinth, one discerns Tupac as a fierce critic of social maladies. Songs like "Keep Ya Head Up" underscore the corrosive effects of police brutality, portraying
law enforcement not as protectors but as formidable adversaries. Such reflections encapsulate the persistent ordeal that has fueled movements like Black Lives Matter that demand accountability and reform in policing and criminal justice.
In unraveling the tales of the distressed, Tupac’s "Brenda's Got a Baby" unveils the grim realities confronting young Black women. Within its poignant lyrics lies an exploration of issues like abortion, a contentious topic at the forefront of American political discourse. Amid evolving legal battles and policy shifts, the narratives within his music provide a cultural mirror reflecting the personal traumas and societal judgments faced by women, emphasizing the necessity of empathetic and supportive frameworks.
Tupac's "Changes" captivates through its vivid imagery of a tumultuous world, a canvas painted with the lack of readiness to embrace a Black president and the urgent cries for revolutionary
shifts. These words resonate with the divisive politics and racial rifts observed in recent election cycles, reinforcing the notion that his messages are not relics of the past but rather living dialogues engaging with contemporary socio-political realities.
Despite the controversies that clouded Tupac’s lyrical expressions, marked by profanity and raw depictions of violence, supporters argue that his music was merely a mirror reflecting the harsh terrains of inner-city life. It served as a vessel carrying the voices of marginalized communities, transcending temporal boundaries and reverberating in the global realms of musical influence and societal introspection.
Tupac’s legacy, amidst current unfolding dramas such as Duane Davis’s arrest, stands as a testament to the enduring relevance of his political messages. In the echoing silence left in his absence, the vibrancy of his lyrics continues to fuel the fight for social justice, equality, and systemic transformation in an America still grappling with the shadows of its past and the turbulence of its present.
A golden tray sits on the Resolute Desk as President Donald Trump speaks during an announcement on American nuclear innovation in the Oval Office at the White House on July 24, 2026, in Washington, D.C. Trump is signing multiple executive orders targeting the nuclear energy sector and easing rules for new reactors and nuclear fuel supply chains.
Trump’s hubris rivals the fallen heroes of ancient Greek mythology
In January, the New York Times asked President Donald Trump if there were any limits on his global powers.
“Yeah,” the president responded, “there is one thing. My own morality. My own mind. It’s the only thing that can stop me.”
That was eight months ago, but fortunately Christopher Nolan’s blockbuster adaptation of “The Odyssey” has made ancient Greek literature newly relevant. Before that window closes, I’d like to talk about hubris.
Today, the term mostly means excessive pride or arrogance. That’s part of what the Greeks meant by it too, but the meaning was a bit richer and more specific. Hubris was an insolent or outrageous act that offended the gods, often because the transgressor was claiming abilities or authorities that solely belonged to supreme beings.
Nolan renamed and slightly modified the concept of xenia for the film, calling it “Zeus’ law.” In the director’s telling, mortals should follow the rules laid out by the gods, specifically the requirement to treat strangers with respect lest they be gods in disguise.
In a sense, hubris is the opposite, or at least the rejection, of xenia. The hubris of the suitors, and at times Odysseus himself, invites punishment by the gods and their mortal instruments.
Which brings me back to Donald Trump. His claim that there are no constraints on his personal power to dictate events on the global stage was one of the greatest expressions of hubris ever uttered by a political leader.
Trump’s claim was obviously false when he made it.
He vowed that he could end the Russia-Ukraine war in 24 hours. He’s proved powerless to make that happen. If he had divine powers to work his will, why would he have balked at implementing his tariffs so often that Wall Street adopted the “TACO trade” term for his deals? “TACO” stands for “Trump always chickens out.”
And why would Trump have made so many embarrassing concessions to China — from rescinding tariffs on Chinese goods to allowing them to buy crucial and incredibly valuable computer chips?
But Trump saw his success at capturing Venezuelan strongman Nicolas Maduro as proof of his ability to launch missiles to the same effect as Zeus’ lightning bolts. Trump believed he was the most powerful man who ever lived.
This is no exaggeration. In March, when the Iran invasion seemed successful, Trump gave a document penned by“Presidential Historian David King” to New York Times reporters Maggie Haberman and Jonathan Swan purporting to prove that Trump was “the most powerful person to have EVER walked this planet.” King was, in fact, a businessman and occasional caddy for legendary golfer Gary Player.
King compared Trump favorably to many of history’s most powerful, and often heinous, figures: Alexander the Great, Attila the Hun, William the Conqueror, Napoleon Bonaparte, Joseph Stalin, Genghis Khan, Mao Tse Tung, Adolf Hitler and Vladimir Lenin. Many of these men thought they were the most powerful person in the world, too. And many were defeated precisely because they believed it.
At least Napoleon and Hitler had a string of truly impressive victories before they learned the folly of hubris. The limits on Trump’s power have been exposed by far less august forces than the combined might of the allies in World War II or the fearsome Russian winter.
Iran is a comparatively middling power. But the regime’s ability to absorb punishment while imposing its will on the Strait of Hormuz has proved to be a greater constraint on Trump’s power than his morality or mind. We should note that, at least rhetorically, his morality has not proved much of a constraint. He has repeatedly promised to destroy Iranian “civilization” if the regime refuses to capitulate.
But they haven’t — and won’t anytime soon — because the regime’s tolerance for pain far outstrips Trump’s. The combined fear of skyrocketing oil prices, outrage of Gulf state potentates, diminishing weapon supplies and domestic unpopularity is doing the work that international law, congressional oversight and the collective opinion of foreign policy experts can’t or won’t do.
If I considered Trump more heroic than reason and facts could allow, I would say his Sisyphean predicament has the whiff of Greek tragedy to it. Trump is vexed by the fact that the Iranians won’t honor deals or ratify his countless premature claims of victory — giving new meaning to his vow that his presidency would make people tired of winning. It’s almost like they’re out-Trumping Trump.
Things might have gone better if he’d heeded that great Greek tragedian Sophocles: “For Zeus utterly abhors the boasts of a proud tongue.”
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Jonah Goldberg is editor-in-chief of The Dispatch and the host of The Remnant podcast. His Twitter handle is @JonahDispatch.