Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Don't judge a heart by its color

Don't judge a heart by its color

Candace Asher is a Nashville/New York critically acclaimed soulful pop-country artist who earned several top 5 hits in the early 2000’s

David Nevins is co-publisher of The Fulcrum and co-founder and board chairman of the Bridge Alliance Education Fund.

The pop-culture section of The Fulcrum was created based on the belief that music, theater, film and the arts in general serve a valuable role in expressing the feelings and emotions around the news that we report on. The goal is to heighten our readers’ interest in becoming involved and working toward a stronger and more vibrant democracy.


Every so often, I come across an artist that reinforces my belief in this connection between democracy and the arts. As the great American singer, songwriter and civil rights activist Nina Simone said in 2013:

"An artist's duty, as far as I'm concerned, is to reflect the times. I think that is true of painters, sculptors, poets, musicians. As far as I'm concerned, it's their choice, but I CHOOSE to reflect the times and situations in which I find myself. That, to me, is my duty. And at this crucial time in our lives, when everything is so desperate, when everyday is a matter of survival, I don't think you can help but be involved. Young people, black and white, know this. That's why they're so involved in politics. We will shape and mold this country or it will not be molded and shaped at all anymore. So I don't think you have a choice. How can you be an artist and NOT reflect the times? That to me is the definition of an artist."

Last week, I had the great fortune of meeting Candace Asher, a songwriter and performer, who told me of an experience of how a moment in history impacted her artistic journey. As we talked, I learned that there has always been a social-change-maker part of her that is a deep part of her soul. Her music crafts strong lyric messages that she hopes, “will inspire people, especially youth, to cope with difficulties, conflicts and pain.”

Prior to our meeting I came across a song by Candace and Jeff Bernstein entitled, “Don't Judge A Heart By Its Color,'' and I asked her what inspired her to write the song along with Jeff.

Candace told me that like so many Americans, she was deeply impacted by the George Floyd killing in May of 2020 and had an urgency as an artist to address the racial divide in America but she wasn’t quite sure how.

I also learned that Candace is a survivor of rape at knifepoint. Her attacker was a race different from her own. The impact on her was unimaginable and the writing of the song also served to help her rise above the attack she had endured.

As a singer-songwriter interested in the use of music to promote healing and change, Candace eventually penned “Don't Judge A Heart By Its Color'' with Jeff Bernstein to help her rise above the attack she'd endured and to inspire others to manage difficult emotions and scars with insight and forgiveness in their life's healing journey.

As so often happens in life, seemingly unrelated situations arise that are useful in allowing us to think about a life situation in a different way. Some of these occurrences are sources of encouragement, some motivating and some help us process the pain before we can move on.

One such occurrence for Candace was coming across a quote by the deceased Supreme Court Justice Ruth Gader Ginsburg:

“I try to teach through my opinions, through my speeches, how wrong it is to judge people on the basis of what they look like, the color of their skin, whether they're men or women.”

Reading that quote was an affirmation for Candace that her song had a message for all and she should sing it for others so they could heal themselves and by doing so heal help heal the racial divide in America. If we do not do so as individuals, the world will never heal.

We present to you “Don't Judge A Heart By Its Color.”


Read More

How Fairness, Stability and Freedom Can Help Us Build Demand for Transformative, Structural Change

Claiming Contested Values

FrameWorks Institute

How Fairness, Stability and Freedom Can Help Us Build Demand for Transformative, Structural Change

Claiming Contested Values: How Fairness, Stability and Freedom Can Help Us Build Demand for Transformative, Structural Change, produced by the FrameWorks Institute, explores how widely shared yet politically contested values can be used to strengthen public support for systemic reform. Values are central to how advocates communicate the importance of their work, and they can motivate collective action toward big, structural changes. This has become especially urgent in a climate where executive orders are targeting diversity, equity, and inclusion initiatives, and some nonprofits are being labeled as threats based on their stated missions. Many civil society organizations are now grappling with how to communicate their values effectively and safely.

The report focuses on Fairness, Stability, and Freedom because they resonate across the U.S. public and are used by communicators across the political spectrum. Unlike values more closely associated with one ideological camp — such as Tradition on the right or Solidarity on the left — these three values are broadly recognizable but highly contested. Each contains multiple variants, and their impact depends on how clearly advocates define them and how they are paired with specific issues.

Keep ReadingShow less
America’s Human Rights Reports Face A Reckoning Ahead of Feb. 25th
black and white labeled bottle
Photo by Markus Spiske on Unsplash

America’s Human Rights Reports Face A Reckoning Ahead of Feb. 25th

The Trump administration has already moved to erase evidence of enslavement and abuse from public records. It has promoted racially charged imagery attacking Michelle and Barack Obama. But the anti-DEI campaign does not stop at symbolic politics or culture-war spectacle. It now threatens one of the United States’ most important accountability tools: the State Department’s annual Country Reports on Human Rights Practices.

Quiet regulatory changes have begun to hollow out this vital instrument, undermining America’s ability to document abuse, support victims, and hold perpetrators to account. The next reports are due February 25, 2026. Whether they appear on time—and what may be scrubbed or withheld—remains an open question.

Keep ReadingShow less
Reducing the Influence of Money in Presidential Politics is Within Our Reach, from where we Least Expect it: the Electoral College

American flag funnel with money

Illustration provided

Reducing the Influence of Money in Presidential Politics is Within Our Reach, from where we Least Expect it: the Electoral College

Reducing the influence of money pouring into presidential politics since the 2010 Citizens United decision may actually be possible by addressing the "winner-take-all" (WTA) structure of the Electoral College. By changing how electoral votes are allocated, the incentive to concentrate money in a few swing states could be reduced.

The winner-take-all (WTA) feature of the Electoral College narrows the focus of massive campaign expenditures in a “Funnel Effect”* to a handful of closely divided battleground states. Because candidates have little to gain from spending in states where they are comfortably ahead or hopelessly behind, they concentrate all their financial resources on 15 or 16 states, or in some cycles, as few as seven key swing states. All this could change if the "battleground state" phenomenon were taken away from the wealthy, as the National Popular Vote Interstate Compact (NPVIC) would accomplish.

Keep ReadingShow less