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Jazz as a metaphor for Democracy

Jazz great teaches kids about sound of democracy

Famed trumpeter Wynton Marsalis sees jazz music as the perfect metaphor for democracy.

"The question that confronts us right now as a nation is, 'Do we want to find a better way?'" Marsalis says.


To understand what democracy and jazz have in common and to see how music can engage a new generation of Americans to appreciate the democracy we all love, watch this short video:

There are so many examples of how music and the arts are connected to democracy. In the coming days and months, we will present many more to you. However, the heart of music is the interplay between the entertainer and the audience. So please engage.

Please email us at pop-culture@fulcrum.us and tell us other examples that you think represent the connection between the arts and democracy. Whether music, theater, poetry, comedy or other mediums, please send us your ideas.

Thank you.

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How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

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How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

In the late 1980s, the Harvard Alcohol Project did just that. By embedding the term designated driver into prime-time television—from Cheers to L.A. Law—they didn’t just coin a phrase. They changed people’s behavior. The campaign was credited with helping reduce alcohol-related traffic fatalities by nearly 30% over the following decade. President George H.W. Bush and Bill Clinton, along with organizations like Mothers Against Drunk Driving, endorsed the movement, amplifying its reach.

They made sober driving socially admirable, not awkward. And they proved that when language meets culture, norms shift.

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La Ventanita: Uniting Conservative Mothers and Liberal Daughters

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La Ventanita: Uniting Conservative Mothers and Liberal Daughters

When Northwestern theater and creative writing junior Lux Vargas wrote and brought to life La Ventanita, she created a space of rest and home for those who live in the grief of not belonging anywhere, yet still yearn for a sense of belonging together. By closing night, Vargas had mothers and daughters, once splintered by politics, in each other's arms. In a small, sold-out theater in Evanston, the story on stage became a mirror: centering on mothers who fled the country and daughters who left again for college.

Performed four times on May 9 and 10, La Ventanita unfolds in a fictional cafecito window inspired by the walk-up restaurant counters found throughout Miami. “The ventanita breeds conversations and political exchange,” said Vargas.

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A Cruel Season at the Bus Stop

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The poem you’re about to read is not a quiet reflection—it’s a flare shot into the night. It emerges from a moment when the boundaries between surveillance and censorship feel increasingly porous, and when the act of reading itself can be seen as resistance. The poet draws a chilling parallel between masked agents detaining immigrants and the quiet erasure of books from our schools and libraries. Both, he argues, are expressions of unchecked power—one overt, the other insidious.

This work invites us to confront the slippery slope where government overreach meets cultural suppression. It challenges us to ask: What happens when the stories we tell, the knowledge we share, and the communities we protect are deemed threats? And who gets to decide?

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