Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Congressman Curly brings rockin' comedy to democracy

Man in red and blue outfit walking in front of the Capitol.

Tony Zorc is bringing is "Congressman Curly" show to Washington, D.C.

Tony Zorc

The Fulcrum has published many writings over the years about how pop culture in America has amazing healing and connecting powers. Our nation’s history is rich with examples of how artists, entertainers, athletes and creators of every kind invite us into a space of transcendence that leads to connectivity. We see that when we join people together their energy can be harnessed for good, and then amplified and scaled.

Certainly comedy fits in perfectly. Laughter is the embodiment of depolarization. Just consider that in order for something to evoke laughter, it has to have the capacity to both hold tension and release tension at the same time.


As far back as Benjamin Franklin and Mark Twain, humor has been used to call into question the actions of those in power. And that tradition continued throughout our nation‘s history with humorists such as Mort Sahl, Lenny Bruce, Dick Gregory, Jonathan Winters, Richard Pryor, George Carlin, Jon Stewart, Stephen Colbert, Trevor Noah and many, many more.

And the tradition continues today in many forms. About a year ago Tony Zorc, after a successful career as a bootstrapped technology entrepreneur and author, decided to further the building of a community needed to fix our country's broken political system. He created Congressman Curly, an organization with a mission to end this divide in a unique way.

Congressman Curly, a nonprofit organization with a mission to advance cultural political unity among U.S. citizens, has officially launched a live entertainment act called "Congressman Curly's Rockin' Comedy Show" in the Washington, D.C., metro area.

The act combines traditional stand-up comedy, music, sketches and storytelling to roast the Democratic and Republican parties.

The goal is simple: to use entertainment to drive political cultural unity in the United States

The main character, Congressman Curly, performs in a split red and blue suit and serves as a metaphor for what Zorc describes as a "corrupt Democratic-Republican duopoly."

"As more citizens feel disempowered to make any political change, they have checked out from politics altogether. As more people have checked out, they are not aware of how much more corrupt Washington has become in the last 20 years. Congressman Curly brings awareness of just how bad things have gotten in a fun way," said Zorc.

Zorc has further described the act as 100 percent original, not only regarding the show's content, but in its approach to combining political activism and entertainment. The show has a 12-song soundtrack available for streaming on several music streaming platforms.

Congressman Curly claims not to take sides on divisive social issues and promotes a solution to fix Washington with the formation of two new political parties with commitments to term limits and citizen-only funding built into their identical bylaws, to compete against the duopoly.

The act is playing through Aug. 21. Shows are being planned in Florida in the fall and then again in the D.C. area before the end of the year.


Read More

Bad Bunny’s Super Bowl Message: We Are All Americans

Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California.

(Photo by Kevin C. Cox/Getty Images)

Bad Bunny’s Super Bowl Message: We Are All Americans

Bad Bunny’s Super Bowl performance was the joy we needed at this time, when immigrants, Latinos, and other U.S. citizens are under attack by ICE.

It was a beautiful celebration of culture and pride, complete with a real wedding, vendors selling “piraguas,” or shaved ice, and “plátanos” (plantains), and a dominoes game.

Keep ReadingShow less
Bad Bunny: Bridging Cultural Divides Through Song and Dance

Bad Bunny-inspired coquito-flavored lattes.

Photo provided by Latino News Network

Bad Bunny: Bridging Cultural Divides Through Song and Dance

Exactly one week before his Apple Music Super Bowl LX Halftime Show performance, Bad Bunny made history at the 68th Grammy Awards after his latest studio album, DeBÍ TiRAR MáS FOTos, became the first Spanish-language project to win Album of the Year in Grammy history. Despite facing heavy criticisms that expose existing socio-cultural tensions in the U.S., Bad Bunny, born Benito Ocasio, will continue to make history as the first Spanish-language solo headliner at the Halftime Show, bridging sociocultural divides in the most Boricua way: through song and dance.

The NFL’s announcement of this year’s Super Bowl headliner in late September drew significant criticism, particularly from American audiences.

Keep ReadingShow less
Word Kill: Politics Can Be Murder on Poetry

A poster featuring Renee Good sits along the street near a memorial to Good on January 16, 2026 in Minneapolis, Minnesota.

(Photo by Scott Olson/Getty Images)

Word Kill: Politics Can Be Murder on Poetry

Across the United States and the world, millions are still processing the recent killing of Renee Nicole Good in Minneapolis by ICE agents. Reactions have intensified as more recently ICE agents shot a Venezuelan man in the same city, and additional National Guard troops have been deployed there.

Many were shocked learning of Good’s shooting, and the shock grew as more information and details about the events leading up to her death, as well as facts about Good herself.

Keep ReadingShow less
Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

Bad Bunny performs on stage during the Debí Tirar Más Fotos world tour at Estadio GNP Seguros on December 11, 2025 in Mexico City, Mexico.

(Photo by Emma McIntyre/Getty Images)

Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

On Monday, January 26th, I published a column in the Fulcrum called Bad Bunny’s Super Bowl Halftime Show Sparks National Controversy As Trump Announces Boycott. At the time, I believed I had covered the entire political and cultural storm around Bad Bunny’s upcoming Super Bowl performance.

I was mistaken. In the days since, the reaction has only grown stronger, and something deeper has become clear. This is no longer just a debate about a halftime show. It is turning into a question of who belongs in America’s cultural imagination.

Keep ReadingShow less