The centrist and progressive wings of the Democratic Party are either giving birth to a compromise to move President Biden's agenda (and their agendas) forward, or they are strangling each other.
Make no mistake, the drama on Capitol Hill this week is not only or even chiefly about whether Biden's agenda will move forward. The drama is chiefly about the health and direction of the Democratic Party. And although the Republicans of course are also players on the Washington stage — especially concerning the debt ceiling issue and a potential government shutdown — the dominant themes are controlled by the Democrats.
The centrists, especially Sens. Joe Manchin and Kyrsten Sinema, want the infrastructure bill to be passed by the House and they want a scaled-down version of the social-services-oriented $3.5 trillion reconciliation bill. The progressives, especially the group led by "the Squad "and Progressive Caucus Chairwoman Pramila Jayapal, want the full $3.5 trillion and a demand that the Senate agree to it before they vote yes on the bipartisan infrastructure bill.
The fighting from afar looks like good old fashioned leveraging and horse trading. We all know that Speaker Nancy Pelosi and Senate Majority Leader Chuck Schumer are making promises and deals behind closed doors and Biden is offering what he can to get what he can.
In this context it is useful to ask the centrists and the progressives if they are relying too much on traditional bargaining leverage and the rigidly defined concepts of their faction.
A more constructive approach at this stage is to employ resource leverage to transform the Democratic Party and better position the president to lead it. With resource leverage, a concept that has become more widely known and used in the last generation, you get the most from the least. With information technology, for example, you get 1 million emails to 1 million potential customers or voters — from one email.
The concept of leverage from ancient physics involves using a minimum input to create a maximum output with a fulcrum of some kind. With resource leverage, the levers may be social or political or economic or psychological rather than physical. Moreover, resources leveraged creatively generate new products, services and brands.
Resource leverage goes beyond traditional physical leverage and traditional bargaining leverage.
The question for the Democrats is what resources can they leverage to transform their factions and their party to serve the nation? Rather than using threats of withholding votes as leverage to get what they want, how can they leverage resources, which includes relationships, to transform their party and our country?
Presumably the solution finds a new center for the Democrats which rejects old concepts about moderation and progressivism. Legislators must break out of their molds and not only compromise but redefine.
Getting from traditional bargaining leverage and negotiations driven by threats to creative resource leveraging is extremely difficult. But greatness requires creativity and imagination and not just dedication and hard negotiating.
The solution, whatever it is, concerns the entire Democratic Party and the nation overall. In truth, any viable solution must address financial leverage as well, since the debt ceiling issue revolves around this third critical concept of leverage.
Indeed, leveraging is not only central to the strategy needed to resolve the crisis, it is central to the content of the crisis itself. This should come as no surprise since leveraging is, at least I have argued, the dominant theme of our time.
If the focus given by the Democrats is on passing the president's agenda, the effort may fail. At the same time, the one person in Washington who can transcend transactional bargaining leverage for transformational resource leverage is President Biden.
U.S. President Donald Trump delivers the State of the Union address during a joint session of Congress in the House Chamber at the Capitol on Feb. 24, 2026, in Washington, D.C. Trump delivered his address days after the Supreme Court struck down the administration's tariff strategy, and amid a U.S. military buildup in the Persian Gulf threatening Iran.
Some MAGA loyalists have turned on Trump. Why the rest haven’t
I recently watched "A Face in the Crowd" for the umpteenth time.
I had a better reason than procrastination to rewatch Elia Kazan’s brilliant 1957 film exploring populism in the television age. It was homework. I was asked to discuss it with Turner Classic Movies host Ben Mankiewicz at the just-concluded TCM Film Festival in Los Angeles. As a pundit and an author, I do a lot of public speaking. But I don’t really do a lot of cool public speaking, so this was a treat.
With that not-very-humble brag out of the way, I had a depressing realization watching it this time.
"A Face in the Crowd" tells the story of a charming drifter with a dark side named Larry “Lonesome” Rhodes, played brilliantly by Andy Griffith. A singer with the gift of the gab, Rhodes takes off on radio but quickly segues to the brand-new medium of television. He becomes a national sensation — and political kingmaker — by forming a deep connection with the masses, particularly among the rural and working classes. His core audience is made up of people with grievances. “Everybody that’s got to jump when somebody else blows the whistle,” as Rhodes puts it.
The film’s climax (spoiler alert) comes when Rhodes’ manager and spurned lover, Marcia, turns on the microphone while the credits rolled at the end of “Cracker Barrel,” his national TV show. Rhodes tells his entourage what he really thinks of the “morons” in his audience. “Shucks, I can take chicken fertilizer and sell it to them for caviar. I can make them eat dog food, and they’ll think it’s steak. … Good night, you stupid idiots.”
It was a canonical “hot mic” moment in American cinema. But the idea that if people could glimpse the “real person” behind the popular facade, they’d turn on them is a very old theme in literature — think Pierre Choderlos de Laclos’ "Les Liaisons Dangereuses" (1782) or Richard Brinsley Sheridan’s "The School for Scandal" (1777), in which diaries and letters do the work of microphones.
Kazan and screenwriter Budd Schulberg were very worried about the ability of demagogues to whip up populist fervor and manipulate the masses through the power of TV, in part because everyone had already seen it happen with radio and film, by Father Coughlin in America and Hitler in Germany. But as dark as their vision was, they still clung to the idea that if the demagogue was exposed, the people would instantly turn on their leader in an “Emperor’s New Clothes” moment for the mass media age.
And that’s the source of my depressing realization. I think they were wrong. It turns out that once that organic connection is made, even a shocking revelation of the truth won’t necessarily break the spell.
In 2016, a lot of writers revisited "A Face in the Crowd" to understand the Trump phenomenon. After all, here was a guy who used a TV show — "The Apprentice" — and social media to build a massive following, going over the heads of the “establishment.” Trump’s own hot mic moment with "Access Hollywood," in which he boasted of his sexual predations, proved insufficient to undo him. That was hardly the only such moment for him. We’ve heard Trump bully the Georgia secretary of state to “find 11,780 votes.” He told Bob Woodward he deliberately “played down” COVID-19. After leaving office, he was recorded telling aides he shouldn’t be sharing classified documents with them — then doing it anyway. And so on.
Trump’s famous claim that he could “shoot somebody” on Fifth Avenue and not lose any voters may have been hyperbole. But it’s not crazy to think he wouldn’t lose as many voters as he should.
In the film, Lonesome Rhodes implodes when Americans encounter his off-air persona. The key to Trump’s success is that he ran as his off-air persona. Why people love that persona is a complicated question. Among the many complementary explanations is that he comes across as authentic, and some people value authenticity more than they value good character, honesty, or competence.
This is not just a problem for Republicans. Maine Senate candidate Graham Platner once had a Nazi tattoo and has said things about women as distasteful as Trump’s “grab them by (the genitals)” comments, and the Democratic establishment is rallying around him because he’s authentic — and because Democrats want to win that race.
Many prominent MAGA loyalists are turning on Trump these days. They claim — wrongly in my opinion — that he’s changed and that the Iran war is a betrayal of their cause. But if you look at the polls, voters who describe themselves as “MAGA” still overwhelmingly support Trump. In short, he still has the Fifth Avenue voters on his side.
Jonah Goldberg is editor-in-chief of The Dispatch and the host of The Remnant podcast. His Twitter handle is @JonahDispatch.