Skip to content
Search

Latest Stories

Top Stories

Democracy is coming to America. Or is it?

Leonard Cohen - Democracy (Live in London)

There is no doubt 2021 was a bad year for our democracy. Jan. 6 was a disastrous start and it never got better. The year passed with a growing toxic environment; the increasing avalanche of disinformation and conspiracy theories being manufactured and spread by hyperpartisans threatened to divide us as a nation.

No doubt there is a real threat to our constitutional republic form of government, calling into question the very foundations of our democracy, not to mention our personal mental health, social and political cohesion, security and justice.

And now that it’s an election year, the rhetoric is only heating up in advance of the midterms.


As I take it all in, I can’t help feeling what the late Canadian singer-songwriter Leonard Cohen expressed years ago when he said, “I love the country but I can’t stand the scene.”

These words ring true today as the barrage of divisiveness can be overwhelming at times. But being an optimist by nature I turn to history and often to the artists of different times to help in my reflections.

And so I revisit “Democracy,” a song written by Cohen in 1992, when he questioned the great experiment of democracy but through it all had an abiding optimism about the possibilities:

He sings of democracy either coming to America if we succeed or not if we don’t:

“It’s coming through a crack in the wall,

on a visionary flood of alcohol;

from the staggering account

of the Sermon on the Mount

which I don’t pretend to understand at all.

It’s coming from the silence

on the dock of the bay,

from the brave, the bold, the battered

heart of Chevrolet:

Democracy is coming ... to the U.S.A.”

In 1993, television host Jools Holland asked Cohen if he was an “optimist.” He replied:

“You know everybody’s kind of hanging on to their broken orange crate in the flood, and when you pass someone else, you know to declare yourself an optimist or a pessimist or pro-abortion or against abortion, or a conservative or a liberal, you know these descriptions are obsolete in the face of the catastrophe that everybody’s really dealing with ‘Democracy’ is a damaged float in the catastrophe, and to it clings a bit of broken expectation.”

In 2019, more than 26 years after wrote the song, he sang it live again in London:

Listen and decide for yourself whether he is singing of hope or despair:

Leonard Cohen - Democracy (Live in London)

Leonard Cohen - Democracy (Live In London) (Official Video)Listen on Spotify: https://smarturl.it/lc_spotify Listen on Apple Music: https://smarturl.it/lc_ap...

Yes, our democracy is damaged. But the optimist in me believes “We the People” can make it work.

Do you?

Read More

Don’t Be a Working Class Hero — Just Imagine!

John Lennon’s “Imagine” comforts, but his forgotten songs like “Working Class Hero” and “Gimme Some Truth” confront power — and that’s why they’ve been buried.

Getty Images, New York Times Co.

Don’t Be a Working Class Hero — Just Imagine!

Everyone knows John Lennon’s “Imagine.”

It floats through Times Square on New Year’s Eve, plays during Olympic ceremonies, and fills the air at corporate galas meant to celebrate “unity.” Its melody is tender, its message is simple, and its premise is seductive: If only we could imagine a world without possessions, borders, or religion, we would live in peace.

Keep ReadingShow less
The Elephant in the Room’ Is a Rom-Com for Our Political Moment

The Elephant in the Room is available now to rent or buy on major streaming platforms.

Picture Provided

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

Keep ReadingShow less
The Life of a Showgirl Bodes Unwell for Popular Feminism

Taylor Swift

Michael Campanella/TAS24/Getty Images

The Life of a Showgirl Bodes Unwell for Popular Feminism

Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

Keep ReadingShow less
Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

Keep ReadingShow less