Skip to content
Search

Latest Stories

Follow Us:
Top Stories

Luke Combs, politics and finding common ground through music

Opinion

Tracy Chapman and Luke Combs

Tracy Chapman and Luke Combs perform onstage during the Grammy Awards on Feb. 4.

JC Olivera/WireImage

Nevins is co-publisher of The Fulcrum and co-founder and board chairman of the Bridge Alliance Education Fund.

In November, I wrote a piece for The Fulcrum about Luke Combs and the healing power of his music.

At the time I was watching the 2023 Country Music Awards and was struck by a song near the end of the ceremony, “Love Can Build a Bridge” – recorded by The Judds and released in 1990.

Yet the lyrics are as powerful today as they were when they were written over 30 years ago. As I listened to the lyrics, I thought that it must be a song about bridging the divide that is separating our nation.


Love can build a bridge
Between your heart and mine
Love can build a bridge
Don't you think it's time?
Don't you think it's time?

I would whisper love so loudly
Every heart could understand
That love and only love
Can join the tribes of man
I would give my heart's desire
So that you might see
The first step is to realize
That it all begins with you and me

But I was wrong. I was quite surprised to discover the song, co-written by Naomi Judd, was dedicated to her family and fans as a goodbye – she was chronically ill with hepatitis C and forced to retire. While the song was not at all political, its message about the importance of always standing together is a lesson that our nation surely must learn.

The Country Music Awards audience was obviously moved as Jelly Roll and K. Michelle sang with power and obvious emotion, and I couldn’t help but think that country music could serve as a powerful force to bridge our divides.

And then on Feb. 4 I was struck once again by the healing power of Combs’ music. The 33-year-old white country singer joined Tracy Chapman, a 59-year-old gay and Black artist, at the Grammy Awards to sing “Fast Car,” her 1988 hit that won song of the year and returned to the top of the charts when Combs released his version last year.

Enjoy their “Fast Car” duet:

Tracy Chapman and Luke Combs Duetwww.youtube.com

Also enjoy Combs’ “The Great Divide”:

Luke Combs, Billy Strings - The Great Divide (Lyric Video)www.youtube.com


Read More

Bad Bunny’s Super Bowl Show Rekindles America’s Cultural Divide

Bad Bunny performs onstage during the Apple Music Super Bowl LX Halftime Show at Levi's Stadium on February 08, 2026 in Santa Clara, California.

(Photo by Kevin C. Cox/Getty Images)

Bad Bunny’s Super Bowl Show Rekindles America’s Cultural Divide

As a child of the 60s and 70s, music shaped my understanding of the world as it does for so many young people stepping into adulthood today. Watching Bad Bunny stand alone at midfield during the Super Bowl, hearing the roar as his first notes hit, and then witnessing the backlash the next day, I felt something familiar to the time of my youth. The styles have changed, but the cultural divide between young and old, between left and right, around music remains the same. The rancor about who gets to speak, who gets to belong, and whose voices are considered “American” remains remarkably constant.

The parallels to the 1980s are striking. President Ronald Reagan, in a 1983 speech lamenting what he saw as the “decay of values” among my generation, warned that “there are those who portray America as a land of racism, violence, and despair. That is not the America we know.” In his radio commentaries, he went further, arguing that “some of the so‑called protest songs seem more intent on tearing down America than lifting it up.” Fast‑forward to today, and the pattern repeats itself. Before the Super Bowl even began, President Trump announced he would boycott the game and blasted the NFL’s choice of performers as “a terrible choice,” setting the tone for the wave of outrage that followed Bad Bunny’s appearance.

Keep ReadingShow less
Bad Bunny: Bridging Cultural Divides Through Song and Dance

Bad Bunny-inspired coquito-flavored lattes.

Photo provided by Latino News Network

Bad Bunny: Bridging Cultural Divides Through Song and Dance

Exactly one week before his Apple Music Super Bowl LX Halftime Show performance, Bad Bunny made history at the 68th Grammy Awards after his latest studio album, DeBÍ TiRAR MáS FOTos, became the first Spanish-language project to win Album of the Year in Grammy history. Despite facing heavy criticisms that expose existing socio-cultural tensions in the U.S., Bad Bunny, born Benito Ocasio, will continue to make history as the first Spanish-language solo headliner at the Halftime Show, bridging sociocultural divides in the most Boricua way: through song and dance.

The NFL’s announcement of this year’s Super Bowl headliner in late September drew significant criticism, particularly from American audiences.

Keep ReadingShow less
Word Kill: Politics Can Be Murder on Poetry

A poster featuring Renee Good sits along the street near a memorial to Good on January 16, 2026 in Minneapolis, Minnesota.

(Photo by Scott Olson/Getty Images)

Word Kill: Politics Can Be Murder on Poetry

Across the United States and the world, millions are still processing the recent killing of Renee Nicole Good in Minneapolis by ICE agents. Reactions have intensified as more recently ICE agents shot a Venezuelan man in the same city, and additional National Guard troops have been deployed there.

Many were shocked learning of Good’s shooting, and the shock grew as more information and details about the events leading up to her death, as well as facts about Good herself.

Keep ReadingShow less
Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

Bad Bunny performs on stage during the Debí Tirar Más Fotos world tour at Estadio GNP Seguros on December 11, 2025 in Mexico City, Mexico.

(Photo by Emma McIntyre/Getty Images)

Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

On Monday, January 26th, I published a column in the Fulcrum called Bad Bunny’s Super Bowl Halftime Show Sparks National Controversy As Trump Announces Boycott. At the time, I believed I had covered the entire political and cultural storm around Bad Bunny’s upcoming Super Bowl performance.

I was mistaken. In the days since, the reaction has only grown stronger, and something deeper has become clear. This is no longer just a debate about a halftime show. It is turning into a question of who belongs in America’s cultural imagination.

Keep ReadingShow less