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Change through music: ‘When the Levee Breaks’

Change through music: ‘When the Levee Breaks’play icon
When The Levee Breaks feat. John Paul Jones | Playing For Change | Song Around The World
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The Fulcrum
By The FulcrumFeb 23, 2022
The Fulcrum
The Fulcrum staff.
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Music has often been a force for engaging people in the issues that are most important to them.

Recently, Playing For Change shared their new song featuring John Paul Jones of Led Zeppelin.

Playing for Change said this about the song:

We're excited to share our new song around the world, “When The Levee Breaks,” featuring legendary multi-instrumentalist John Paul Jones of Led Zeppelin!

This song is a powerful, thought-provoking and emotionally-charged classic by Led Zeppelin and a rework of the 1929 original release by Kansas Joe Mccoy and Memphis Minnie about the Great Mississippi Flood of 1927; the most destructive river flooding in U.S. history.

Stephen Perkins of Jane's Addiction, Susan Tedeschi, Derek Trucks and over 20 musicians and dancers from seven different countries join John Paul Jones for this global rendition featured in Peace Through Music: A Global Event for the Environment.

Feel the impact of these compelling lyrics and let the music move your spirit!

The Fulcrum believes that music and democracy are deeply connected. If you have favorites that you would like us to share with our readers please contact us at pop-culture@fulcrum.us

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How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

In the late 1980s, the Harvard Alcohol Project did just that. By embedding the term designated driver into prime-time television—from Cheers to L.A. Law—they didn’t just coin a phrase. They changed people’s behavior. The campaign was credited with helping reduce alcohol-related traffic fatalities by nearly 30% over the following decade. President George H.W. Bush and Bill Clinton, along with organizations like Mothers Against Drunk Driving, endorsed the movement, amplifying its reach.

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La Ventanita: Uniting Conservative Mothers and Liberal Daughters

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When Northwestern theater and creative writing junior Lux Vargas wrote and brought to life La Ventanita, she created a space of rest and home for those who live in the grief of not belonging anywhere, yet still yearn for a sense of belonging together. By closing night, Vargas had mothers and daughters, once splintered by politics, in each other's arms. In a small, sold-out theater in Evanston, the story on stage became a mirror: centering on mothers who fled the country and daughters who left again for college.

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The poem you’re about to read is not a quiet reflection—it’s a flare shot into the night. It emerges from a moment when the boundaries between surveillance and censorship feel increasingly porous, and when the act of reading itself can be seen as resistance. The poet draws a chilling parallel between masked agents detaining immigrants and the quiet erasure of books from our schools and libraries. Both, he argues, are expressions of unchecked power—one overt, the other insidious.

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