Skip to content
Search

Latest Stories

Top Stories

Ask Joe: Does conflict in the workplace lead to better results?

Ask Joe: Does conflict in the workplace lead to better results?

Weston is executive director of the Fierce Civility Project and the author of "Mastering Respectful Confrontation."

Hey Joe,

My work colleague thinks conflict is good and leads to better results. Some of my other colleagues seem to be okay with his abrasive, combative behavior. He likes to make fun of me and calls me "sensitive" if I call him on it. It's exhausting. How can I deal with him?

Bullied and Exhausted


Hi, Exhausted

I can imagine you are having a tough time if you are feeling both bullied and exhausted. My first suggestion is to see what steps you can take to cultivate "resilience." In the Fierce Civility practice, we define resilience as the capacity to address challenges with ease, skill and confidence. Resilience is not enduring struggles. When you have cultivated what we call "resilient power," you feel physically vital, emotionally stable and mentally clear. Are you pushing yourself — a kind of self-bullying — to work in a way that isn't serving you, causing you to burn out? What self-care practices can you build into your day to reduce exhaustion and increase your energy and effectiveness?

Now let's address the issue with your colleague. Start with asking some clarifying questions. In the conflict resolution world, you will often hear about "good" conflict and "bad" conflict. Bad conflict causes harm. Good conflict can use the tension of differences to initiate more creativity and focus. At the Fierce Civility Project we try to minimize the need to use words like "good" and "bad," which, as judgments, can create separation. The important question is, "To what degree is the conflict bringing harm, benefits or some combination of both?"

So, on some level, if he is suggesting that using "good" conflict can inspire, focus and make the team more effective, and if it works for everyone involved, I can see his viewpoint. So, I would suggest asking him, in a truly curious, respectful way, "What do you mean by conflict?" And, "What do you think it should look like?" If it includes respect and a commitment to not harming, then I would say try it out. You may develop more resilience in the process.

However, stating that conflict is a way to get better results could be a way to excuse harmful behavior, or avoid being held accountable for bullying. This is different. If he has no concern about harming others, then I would start with clarifying and stating your boundaries. Where do you draw the line with how you are treated? When does the process of dealing with challenges and deadlines go from feeling uncomfortable (which can be healthy) to feeling unsafe?

You can't change people, but, with respect and patience, you can influence behavior. Find a time and place when you can talk to him, where you both feel safe and not attacked. Make him aware of his specific behavior without judgment, how it is affecting you, and what you would need to function in a work environment that is productive and not exhausting. Can you clarify why this way of working feels exhausting for you? Hopefully this will make him consider his approach.

Perhaps add the message, "I can see how you might think that this is a good strategy for getting the best out of people. And I can see how it works with some. I would like to continue to do my best work. However, with my kind of personality and value system, using conflict is not the best strategy to get me to excel. Can we discuss other options?"

I am not guaranteeing that this will get him to suddenly behave differently, but it is certainly a start in terms of helping you clarify what your boundaries are and how to advocate for yourself. Feel free to get back in touch if you have any more questions (or check out my book, "Mastering Respectful Confrontation," to find out more ways to effectively confront someone, as well as ways to cultivate more resilient power).

With clarifying power,

Joe

"Ask Joe" is dedicated to exploring the best ways to transform tensions and bridge divides. Our resident advice columnist and conflict resolution specialist, Joe Weston, is here to answer your questions in order to resolve tension, polarization, or conflict.

Learn more about Joe Weston and his work here. Make sure to c heck out Joe’s bestselling book Fierce Civility: Transforming our Global Culture from Polarization to Lasting Peace, published March 2023.

To Ask Joe, please submit questions to:
AskJoe@Fulcrum.us.

Read More

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

The Elephant in the Room is available now to rent or buy on major streaming platforms.

Picture Provided

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

Keep ReadingShow less
The Life of a Showgirl Bodes Unwell for Popular Feminism

Taylor Swift

Michael Campanella/TAS24/Getty Images

The Life of a Showgirl Bodes Unwell for Popular Feminism

Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

Keep ReadingShow less
Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

Keep ReadingShow less
Does One Battle After Another Speak to Latino Resistance?

Leonardo DiCaprio, Benicio del Toro, Chase Infiniti, and Paul Thomas Anderson pose during the fan event for the movie 'One Battle After Another' at Plaza Toreo Parque Central on September 18, 2025 in Naucalpan de Juarez, Mexico.

(Photo by Eloisa Sanchez/Getty Images)

Does One Battle After Another Speak to Latino Resistance?

After decades of work, Angeleno director P.T. Anderson has scored his highest-grossing film with his recent One Battle After Another. Having opened on the weekend of September 26, the film follows the fanatical, even surrealistic, journey of washed-up revolutionary Bob Ferguson (Leonardo DiCaprio), who lives in hiding with his teenage daughter, Willa (Chase Infiniti), some fifteen years after his militant group, French 75, went underground. When their nemesis Colonel Lockjaw (Sean Penn) resurfaces, Bob and Wila again find themselves running from the law. When Wila goes AWOL, her karate teacher, Sensei Sergio St. Carlos (Benicio del Toro), is enlisted to help Bob find his daughter. Although ambitious, edgy, and fun, the political message of the hit film is generally muddled. The immensely talented director did not make a film matching the Leftist rigor of, say, Battleship Potemkin. Nor can the film be grouped among a veritable cavalcade of fictional and non-fictional films produced during the last twenty years that deal with immigrant issues along the U.S.-Mexico Border. Sleep Dealer, El Norte, and Who is Dayani Cristal? are but a few of the stronger offerings of a genre of filmmaking that, for both good and bad, may constitute a true cinematic cottage industry.

Nevertheless, the film leans heavily into Latino culture in terms of themes, setting, and characters. Filmed largely in the U.S.’s Bordertown par excellence—El Paso, Texas—we meet the martial arts teacher Sergio, who describes his work helping migrants cross the border as a “Latino Harriet Tubman situation.” We learn that the fugitive revolutionary, Bob, is known by several aliases, including “The Gringo Coyote.” His savior, Sensei Sergio, explains to him outrightly that he’s “a bad hombre”—cheekily invoking the hurtful bon mots used by then-candidate Donald Trump in a 2016 debate with Hilary Clinton. The epithet is repeated later on in the film when Bob, under police surveillance in the hospital, is tipped off to an exit route by a member of the French 75 disguised as a nurse: “Are you diabetic? You’re a bad hombre, Bob. You know, if you’re a bad hombre, you make sure you take your insulin on a daily basis, right?” All this, plus the fact that the film’s denouement begins with a raid on a Mexican Restaurant in Northern California.

Keep ReadingShow less