In a year that has featured tumultuous debates about the very essence of our country, artists of all sorts have responded with an explosion of creativity.
There's been a wave of work: dramatic murals protesting the killing of Black people by police, songs celebrating President Trump and also mocking him, videos urging people to vote. There have been elaborate embroidered messages of protest and contests to design "I voted" stickers.
The outpouring of inventiveness reflects the passions evoked by a presidential election, overlaid on a health crisis with debates about racial justice and fundamental democratic principles thrown in the mix. The slideshow here is but a tiny sampling.
Democracy Matters, a nonpartisan student political reform group, sees art as key to their work and to building community.
"Art can inspire, shock, heal and express emotion," the group's website says. "It engages the senses and stimulates the mind. When art is seen as a core element of encouraging social action, its power moves from a source aesthetic appreciation to a strong political tool."
Diane Mullin, curator at the Weisman Art Museum at the University of Minnesota, has said that "art can teach us or demonstrate things about democracy."
"But art can also participate in democracy because artists are in very important ways contributors to discourse, and contributors to our society," she said said back when her museum was preparing for the 2008 Republican convention in Minneapolis and St. Paul. "So they can put forth proposals and propositions to make us think about things, to make us think about where we live, how we live."
This summer the nearby Minnesota Museum of American Art hosted an online forum of "Black Art in the Era of Protest." One key issue in the discussion was how to preserve the murals and other public displays that may end up being painted over or dismantled.
Here then is a gallery offering a glimpse of the artistic response to the election, racial injustice and the other existential questions about the state of democracy the nation is facing this year.
Worth watching to the end
Ohio rapper YelloPain offers a sweeping narrative arc in just four minutes: Hopefulness in 2008, followed by a sense of hopeless disenfranchisement, gives way to a punchy civics lesson and then a plea for people to vote. (YelloPain's cousin, Desiree Timms, featured in the video, is the Democrat challenging veteran GOP Rep. Mike Turner in Dayton.)


























image of U.S. President Donald Trump is displayed on a digital billboard in Times Square in New York on April 8, 2026.
Trump is stuck between two realities. Neither serves the American people
Normally, I worry that events may overtake a column. But not so with the Iran war.
I don’t worry about running afoul of a headline or Truth Social post from the president because what is said about the situation is no longer very relevant to the reality.
On April 8, Nick Catoggio, my Dispatch colleague, dubbed an earlier stoppage with Iran “Schrödinger’s ceasefire.” This was a reference to the famous thought experiment by the physicist Erwin Schrödinger, who was trying to explain the weirdness of “superpositionality” in quantum physics. A cat in a box is both dead and alive at the same time until you open the box. Schrödinger meant to illustrate the absurdity of the idea that particles aren’t any one thing, but a “cloud of probabilities.”
The Trump administration is stuck in a word cloud of probabilities of his own making. The war is over. The war is on. The war isn’t a war. We have a deal, but we don’t have a deal, but we’re about to have a deal. We destroyed Iran’s military. No, we left it intact. We want regime change. No we don’t. We already accomplished it. We “obliterated” Iran’s nuclear program a year ago. We had to go to war in February to prevent nuclear war. The Strait of Hormuz is open, closed, or something in-between. No deal without “unconditional surrender.” Let’s make a deal!
This everything-all-at-once vibe can be disorienting, particularly since most Americans didn’t have a war with Iran on their bingo cards until the shooting had already started. President Trump didn’t prepare the country or consult with Congress beforehand because he thought it would all be a smashing success in a matter of weeks.
The miscalculation that started it all: killing Iran’s Supreme Leader, Ayatollah Ali Khamenei, and much of Iran’s senior leadership, on the first day of the war. To “the great proud people of Iran, I say tonight that the hour of your freedom is at hand,” Trump announced on Feb. 28. “When we are finished, take over your government. It will be yours to take. This will be probably your only chance for generations.”
I support regime change in Iran and shed no tears for Khamenei or his goons. But when you start a war by killing the regime’s top leaders, it’s not unreasonable for the remaining ones to conclude that you really intend regime change.
Khamenei was a murderous fanatic, but he was a fairly cautious one. He liked to threaten closing the Strait of Hormuz or attacking our regional allies, but he was reluctant to actually do it, fearing it would invite a regime change war. The mullahs and IRGC goons believed, not unreasonably, that if they lost their grip on power, they’d be lynched by the Iranian people they’ve brutalized for decades.
By starting with a regime change war, Trump removed any reason for the regime not to go for broke. When you have nothing to lose — particularly when you are a millenarian religious fanatic — a Persian Alamo strategy makes a lot of sense.
So Iran closed the Strait of Hormuz and attacked its neighbors.
But it turns out this wasn’t the Alamo. In the contest of wills, Trump blinked. The Iranian regime’s tolerance for punishment proved — so far — to be greater than Trump’s and that of our gulf allies. Militarily we could finish the job, but that would require ground troops and much greater economic turmoil. In a conflict Trump launched unilaterally without the prior support of Congress, NATO or the American people, Trump doesn’t have the political capital for that.
But that’s only half the problem. Trump wants the war over, but he doesn’t want to pay — militarily, economically, politically — what that would cost. So he wants to make a deal that ends it. But there is no deal available that wouldn’t come at an equally undesirable cost. Any deal that looks like what President Obama struck with the Iranians would be too embarrassing to bear. But the Iranians are convinced that they can get just such a deal, and they’re willing to drag things out as long as it takes.
The result: Trump’s in a box of his own making. He thinks he can talk his way out by simply asserting a reality that doesn’t exist. When the financial markets get nervous, he announces a breakthrough that is, at best, a possibility. When the Iranians agree to a deal that looks similar to one Obama might negotiate, Trump goes back to his threats.
It can’t go on forever. But I’m sure it’ll last until long after this column is forgotten.
Jonah Goldberg is editor-in-chief of The Dispatch and the host of The Remnant podcast. His Twitter handle is @JonahDispatch.