Skip to content
Search

Latest Stories

Top Stories

Cartoon rivalries bring levity, and familiarity, to the election

Road Runner and Wile E. Coyote

Road Runner and Wile E. Coyote have a lot in common with our presdiential candidates.

BSR Entertainment/Getty Image

Corbin is professor emeritus of marketing at the University of Northern Iowa.

According to the April 12-16 NBC News survey, 52 percent of voters have somewhat or very negative feelings toward President Joe Biden, while 53 percent of voters have the same notion about former President Donald Trump. To make matters worse, Americans’ interest in the Nov. 5 election is the lowest since 2008.

Maybe it’s time to spark up interest in the election by bringing some comedy to the situation. First — with assistance from Greg Daugherty of Money — let’s review some cartoon characters who, via their creators, have actually announced a presidential candidacy. Then we’ll examine a few fictitious cartoon rivalries. One or more of the following may remind you of Biden or Trump. If a cartoon-related Biden-Trump 2024 rivalry doesn’t seem to develop, then the following is a jog through memory lane, good for any soul to do from time to time.


The Greatest Generation (1901-1927), the silent generation (1928-1945), baby boomers (1946-1964), Generation X (1965-1980) and millennials (1981-1996) may recall the cartoon duo Mutt and Jeff. Despite their strikingly different heights, they broke the cartoon-character-as-presidential-candidate glass ceiling as running mates in 1908. Their every-four-year-run for presidency ended in the 1980s. Many Americans would concur that the phrase “Biden and Trump are as different as Mutt and Jeff” is apropos.

Pogo, created by cartoonist Walt Kelly, first ran for office in 1952. The 1952 “Pogo for President” campaign rally at Harvard University turned into a riot. Pogo’s quadrennial candidacy ended in the 1970s and is known for the saying “We have met the enemy and he is us.” A presidential rally turning into a riot rings a bell, doesn’t it?

Another fabricated candidate who sought office against Dwight Eisenhower and Adlai Stevenson in 1956 was Alfred E. Neumann, Mad Magazine’s mascot. Among Neumann’s campaign slogans was the infamous “You could do worse, you always have!” Many voters would claim that applies to recent elections.

In 1960, Alvin the singing chipmunk ran for president during the John F. Kennedy-Richard Nixon competition. Kennedy welcomed Alvin to the race by remarking, “I’m glad to know that I have at least one worthy opponent.”

Snoopy, the beagle of the “Peanuts” comic strip, ran for president in 1968, 1972, 1976 and 1980. In 1980, Ronald Reagan wrote to cartoonist Charles Schulz stating, “anything you can do to talk Snoopy out of running will be appreciated. How would he feel about a cabinet post?”

According to WatchMojo, there are quite a few cartoon rivalries that have entertained us for years. See if one or more of the following cartoon characters resemble Mr. Biden or Mr. Trump.

Democratic and GOP presidential candidates try to attract voters in their own unique manner, just like Popeye and Bluto (aka, Brutus) have fought — for 92 years — over Olive Oyl. Biden and Trump also seek the appeal of women voters, but in a strikingly different manner of grace, poise and decency.

Since the 1940s the rivalry of Tom and Jerry has been intense; they can’t agree on anything (just like Biden and Trump). Jerry is an overconfident good guy while Tom is about winning at all costs. Sound familiar?

For decades, Elmer Fudd has been purposefully chasing after that “wascawwy wabbit” Bugs Bunny. But thanks to his disguises and the various tricks up his sleeve, the rabbit always survives. This begs the question: Which of this year’s presidential candidates is most proficient — like Bugs Bunny — at disinformation, misinformation and propaganda?

In the “SpongeBob SquarePants” TV series (1999-present), Mr. Krabs and Plankton have continuously been fighting over the Krabby Patty recipe. Plankton keeps trying to steal back the recipe while Krabs is focused on revenge, retribution and greed as he really, really loves money. Any presidential candidate come to mind?

My favorite cartoon rivalry is Road Runner vs. Wile E. Coyote (1930-1969). The devious coyote uses complex contraptions from the Acme Corporation to catch his prey, with each conspiracy backfiring. Put into a forced-choice comparative decision, Biden is Road Runner, constantly on the run with continual attempts at bipartisan legislation and international peace making. Meanwhile, Trump is Wile E. Coyote. Trump’s 343 merchandise opportunities (e.g., $40 MAGA hat, $59.99 Bible, $200 sneakers, etc.) are available at the Trump Store and not Acme Corporation.

If nothing else, this rundown may have given you time to reminisce, relax from the struggles of daily life, laugh and ponder the similarities between comedy and presidential candidate similarities before realizing that on Nov. 5 voting will be no laughing matter.

Read More

Don’t Be a Working Class Hero — Just Imagine!

John Lennon’s “Imagine” comforts, but his forgotten songs like “Working Class Hero” and “Gimme Some Truth” confront power — and that’s why they’ve been buried.

Getty Images, New York Times Co.

Don’t Be a Working Class Hero — Just Imagine!

Everyone knows John Lennon’s “Imagine.”

It floats through Times Square on New Year’s Eve, plays during Olympic ceremonies, and fills the air at corporate galas meant to celebrate “unity.” Its melody is tender, its message is simple, and its premise is seductive: If only we could imagine a world without possessions, borders, or religion, we would live in peace.

Keep ReadingShow less
The Elephant in the Room’ Is a Rom-Com for Our Political Moment

The Elephant in the Room is available now to rent or buy on major streaming platforms.

Picture Provided

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

Keep ReadingShow less
The Life of a Showgirl Bodes Unwell for Popular Feminism

Taylor Swift

Michael Campanella/TAS24/Getty Images

The Life of a Showgirl Bodes Unwell for Popular Feminism

Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

Keep ReadingShow less
Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

Keep ReadingShow less