Skip to content
Search

Latest Stories

Top Stories

Ariana Grande for Harris. Kanye West for Trump. Does it matter?

Ariana Grande

Ariana Grande

Sarah Morris/WireImage/Getty Images

Nevins is co-publisher of The Fulcrum and co-founder and board chairman of the Bridge Alliance Education Fund.

It didn’t take long after Joe Biden dropped out of the presidential race and Kamala Harris became the odds-on favorite to be the Democratic Party's nominee for the celebrity endorsements to follow. Within a few days, Ariana Grande, Cardi B and John Legend all publicly announced their support for Harris.

Of course, not all celebrities are Democrats and Donald Trump has his share of celebrity support as well — people like Ye (Kanye West), Jason Aldean and Kid Rock, who endorsed Trump in the past and are likely to endorse him once again.


And while some celebrities choose not to support candidates for office, they do at times voice their objection when their music is used at political events without their permission.

Singer Celine Dion was not happy when former President Trump used her Oscar- and Grammy-winning hit "My Heart Will Go On" at multiple campaign rallies throughout 2023 and 2024. She team issued this statement:

"In no way is this use authorized, and Celine Dion does not endorse this or any similar use. ... And really, THAT song?"

The jab at the end about “really, THAT song?” — a reminder that her romantic ballad served as the theme song for a movie about a sinking ship — received considerable social media attention.

Whether any of this actually impacts the election is certainly debatable.

Movie and music stars have always had an enormous influence on politics, including Edward G. Robinson, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, Arnold Schwarzenegger, Barbra Streisand, Beyoncé and Lady Gaga. They entered the political fray from both the left and the right.

In more recent times, Ye joined the fray when he entered the White House wearing a “Make America Great Again” hat, and Billie Eilish, at the age of only 18, debuted the first live performance of her single “My Future” at the Democratic National Convention in 2020.

Athletes have been involved too. After the shooting of Jacob Blake in 2020, NBA stars LeBron James and Jamal Murray, as well as many other NBA players, expressed their support for social justice by sitting out a playoff game against the Orlando Magic. Their path was influenced by Colin Kaepernick, who knelt to protest police violence against Black people and became an NFL pariah.

Jennifer Lopez and Alex Rodriguez joined a June 2020 demonstration in Los Angeles against racism and police brutality. In 2021, Streisand, a lifelong activist, criticized Republican efforts to introduce new voting restrictions as GOP legislators throughout the country proposed bills to tighten election regulations.

Whether celebrity political activism does more harm than good is a subject of much debate, yet in this age of social media the ease of harnessing one’s stardom has increased dramatically. Where in past eras the stars needed movie studios and record labels, many artists own their music and have direct access to their fans.

We’ll watch closely between now and Election Day to see whether more celebrities will use their status and endorse Harris or Trump.

Many eyes are focused on Taylor Swift, one of the biggest superstars of them all. The extent of her influence was evident in September 2023 when Swift posted a short message on Instagram encouraging her 272 million followers to register to vote. Afterward, the website she directed her fans to — the nonpartisan Vote.org — announced it recorded more than 35,000 registrations as a result.

Whether Taylor Swift and other superstars choose to dive deeper into the political fray before November remains to be seen. Some of Swift’s fans believe she has a duty to speak out and some think she should just stick to music and dance.

We’ll keep you posted.

Read More

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

Keep ReadingShow less
Does One Battle After Another Speak to Latino Resistance?

Leonardo DiCaprio, Benicio del Toro, Chase Infiniti, and Paul Thomas Anderson pose during the fan event for the movie 'One Battle After Another' at Plaza Toreo Parque Central on September 18, 2025 in Naucalpan de Juarez, Mexico.

(Photo by Eloisa Sanchez/Getty Images)

Does One Battle After Another Speak to Latino Resistance?

After decades of work, Angeleno director P.T. Anderson has scored his highest-grossing film with his recent One Battle After Another. Having opened on the weekend of September 26, the film follows the fanatical, even surrealistic, journey of washed-up revolutionary Bob Ferguson (Leonardo DiCaprio), who lives in hiding with his teenage daughter, Willa (Chase Infiniti), some fifteen years after his militant group, French 75, went underground. When their nemesis Colonel Lockjaw (Sean Penn) resurfaces, Bob and Wila again find themselves running from the law. When Wila goes AWOL, her karate teacher, Sensei Sergio St. Carlos (Benicio del Toro), is enlisted to help Bob find his daughter. Although ambitious, edgy, and fun, the political message of the hit film is generally muddled. The immensely talented director did not make a film matching the Leftist rigor of, say, Battleship Potemkin. Nor can the film be grouped among a veritable cavalcade of fictional and non-fictional films produced during the last twenty years that deal with immigrant issues along the U.S.-Mexico Border. Sleep Dealer, El Norte, and Who is Dayani Cristal? are but a few of the stronger offerings of a genre of filmmaking that, for both good and bad, may constitute a true cinematic cottage industry.

Nevertheless, the film leans heavily into Latino culture in terms of themes, setting, and characters. Filmed largely in the U.S.’s Bordertown par excellence—El Paso, Texas—we meet the martial arts teacher Sergio, who describes his work helping migrants cross the border as a “Latino Harriet Tubman situation.” We learn that the fugitive revolutionary, Bob, is known by several aliases, including “The Gringo Coyote.” His savior, Sensei Sergio, explains to him outrightly that he’s “a bad hombre”—cheekily invoking the hurtful bon mots used by then-candidate Donald Trump in a 2016 debate with Hilary Clinton. The epithet is repeated later on in the film when Bob, under police surveillance in the hospital, is tipped off to an exit route by a member of the French 75 disguised as a nurse: “Are you diabetic? You’re a bad hombre, Bob. You know, if you’re a bad hombre, you make sure you take your insulin on a daily basis, right?” All this, plus the fact that the film’s denouement begins with a raid on a Mexican Restaurant in Northern California.

Keep ReadingShow less
​Jimmy Kimmel onstage during the 67th GRAMMY Awards

Jimmy Kimmel onstage during the 67th GRAMMY Awards on February 01, 2025, in Los Angeles, California

Getty Images, Johnny Nunez

Why the Fight Over Jimmy Kimmel Matters for Us All

There are moments in a nation’s cultural life that feel, at first, like passing storms—brief, noisy, and soon forgotten. But every so often, what begins as a squall reveals itself as a warning: a sign that something far bigger is at stake. The initial cancellation of Jimmy Kimmel by Disney, along with the coordinated blackout from network affiliates like Nexstar and Sinclair, is one of those moments. It’s not merely another skirmish in the endless culture wars. Actually, it is a test of whether we, as a society, can distinguish between the discomfort of being challenged and the danger of being silenced.

The irony is rich, almost to the point of being absurd. Here is a late-night comedian, a man whose job is to puncture the pompous and needle the powerful, finding himself at the center of a controversy. A controversy bigger than anything he’d ever lampooned. Satire that, depending on your perspective, was either too pointed or simply pointed in the wrong direction. Yet, that was not the ostensible reason.

Keep ReadingShow less
Bad Bunny preforming on stage alongside two other people.

Bad Bunny performs live during "No Me Quiero Ir De Aquí; Una Más" Residencia at Coliseo de Puerto Rico José Miguel Agrelot on September 20, 2025 in San Juan, Puerto Rico

Getty Images, Gladys Vega

From Woodstock to Super Bowl: Bad Bunny and the Legacy of Musical Protest

As Bad Bunny prepares to take the Super Bowl stage in February 2026—and grassroots rallies in his honor unfold across U.S. cities this October—we are witnessing a cultural moment that echoes the artist-led protests of the 1960s and 70s. His decision to exclude U.S. tour dates over fears of ICE raids is generating considerable anger amongst his following, as well as support from MAGA supporters. The Trump administration views his lyrics and his fashion as threats. As the story unfolds, it is increasingly becoming a political narrative rather than just entertainment news.

Music has long been a part of the American political scene. In 1969, Crosby, Stills, Nash & Young released “Ohio,” a response to the Kent State shootings that galvanized antiwar sentiment.

Keep ReadingShow less