Skip to content
Search

Latest Stories

Follow Us:
Top Stories

King's Birmingham Jail Letter in Our Digital Times

King's Birmingham Jail Letter in Our Digital Times

Civil Rights Ldr. Rev. Martin Luther King Jr. speaking into mike after being released fr. prison for leading boycott.

(Photo by Donald Uhrbrock/Getty Images)

Sixty-two years after Rev. Dr. Martin Luther King’s pen touches paper in a Birmingham jail cell, I contemplate the walls that still divide us. Walls constructed in concrete to enclose Alabama jails, but in Silicon Valley, designed code, algorithms, and newsfeeds. King's legacy and prophetic words from that jail cell pierce our digital age with renewed urgency.

The words of that infamous letter burned with holy discontent – not just anger at injustice, but a more profound spiritual yearning for a beloved community. Witnessing our social fabric fray in digital spaces, I, too, feel that same holy discontent in my spirit. King wrote to white clergymen who called his methods "unwise and untimely." When I scroll through my social media feeds, I see modern versions of King's "white moderate" – those who prefer the absence of tension to the presence of truth. These are the people who click "like" on posts about racial harmony while scrolling past videos of police brutality. They share MLK quotes about dreams while sleeping through our contemporary nightmares.


Then and now, the church often stands guilty of what King called "shallow understanding from people of goodwill." In 1963, it was the clergy who counseled patience while Black bodies bore the weight of segregation. Too many religious leaders preach digital decorum, yet our social platforms burn with hatred, conspiracy, and tribal warfare. Replacing Bull Connor's dogs with content moderators, lunch counter segregation with filtered feeds, and water hoses with mute buttons and 180-day account suspension (ask me how I know).

James Baldwin's searing question comes to mind – "Do I really want to be integrated into a burning house?" – takes on new meaning in our digital age. The virtual public square has become its kind of burning house, where truth smolders beneath the ashes of misinformation and AI-generated falsehoods. As a theologian and pastor, I ask: What does seeking a beloved community in digital spaces designed for division mean? How do we practice digital integration when our very platforms are built on the foundation of segregated realities?

The present composition of the digital square reveals this as truth. When conspiracy theories about election fraud spread unchecked through church WhatsApp groups, when Sunday school Facebook pages become breeding grounds for political polarization, and when Twitter threads about Scripture devolve into tribal warfare, we witness a troubling reality. A reality where we have made peace with our divisions.

The letter from Birmingham jail prefaces how our digital wilderness mirrors the spiritual wilderness he described. King expressed grave disappointment in the church's failure to live to its authentic call. Contemporary religious institutions often function more like digital thermometers rather than thermostats regulating or changing our polarized culture. Yet there is hope.

Just as King saw the potential for redemption in the church of his day, I see possibilities for redemption. King called on "creative extremism" – not the extremism of hatred or division, but the extreme love that refuses to accept the comfortable constraints of our digital cages. This creative extremism might involve religious leaders intentionally building digital and physical spaces for genuine dialogue across differences. It might also involve spiritual disciples employing their social media presence as a ministry of reconciliation rather than a platform for sacrilegious and non-democratic proclamations. Also, it necessitates each of us to become digital architects of a beloved community, deliberately curating spaces where truth and grace can meet.

Dr. King, I believe, wrote his letter not just to critique but to call forth. Believing in the possibility of transformation – not just of laws and systems, but of hearts and minds. In our digital age, we need that same prophetic imagination. The walls of our digital cells are high, but they are not impenetrable. I wonder if we will dare to break them down, brick by binary brick, and build something better in their place.


Read More

AI, Reality, and the Pygmalion Effect: Why Human Judgment Still Matters
Woman typing on laptop at wooden table with breakfast.

AI, Reality, and the Pygmalion Effect: Why Human Judgment Still Matters

When the World goes Mad, one must accept Madness as Sanity, since Sanity is, in the last analysis, nothing but the Madness on which the Whole World happens to agree. (George Bernard Shaw)

Among the most prolific and famous playwrights of the 20th century, Shaw wrote “Pygmalion,” the play upon which “My Fair Lady” was based. Pygmalion was a Greek mythological figure, a sculptor from Cyprus, who fell in love with the statue he created. Aphrodite turned his sculpture into a real woman, promoting the idea that the “created” is greater than the “creator.”

Keep ReadingShow less
Humanoid Educators Will Widen Inequality—And Only Tech Overlords Will Benefit
a sign with a question mark and a question mark drawn on it

Humanoid Educators Will Widen Inequality—And Only Tech Overlords Will Benefit

In March, First Lady Melania Trump hosted an AI-powered humanoid robot at the White House during the Fostering the Future Together Global Coalition Summit, and introduced Plato, a humanoid educator marketed as a replacement for teachers that could homeschool children. A humanoid educator that speaks multiple languages, is always available, and draws on a vast store of information could expand access in meaningful ways. But the evidence suggests that the risks outweigh the benefits, that adoption will be uneven, and that the families most likely to adopt Plato will bear those risks disproportionately.

Research on excessive technology use in childhood has found consistent results. Young children and teenagers who spend too much time with screens are more likely to experience reduced physical activity, lower attention spans, depression, and social anxiety. On the same day that Melania Trump introduced Plato, a California jury ruled that Meta and YouTube contributed to anxiety and depression in a woman who began using social media at age 6, a reminder that the consequences of under-tested technology on children can be severe and long-lasting.

Keep ReadingShow less
An illustration of a block with the words, "AI," on it, surrounded by slightly smaller caution signs.

The future of AI should be measured by its impact on ordinary Americans—not just tech executives and investors. Exploring AI inequality, labor concerns, and responsible innovation.

Getty Images, J Studios

The Kayla Test: Exploring How AI Impacts Everyday Americans

We’re failing the Kayla Test and running out of time to pass it. Whether AI goes “well” for the country is not a question anyone in SF or DC can answer. To assess whether AI is truly advancing the interests of Americans, AI stakeholders must engage with more than power users, tokenmaxxers, and Fortune 500 CEOs. A better evaluation is to talk to folks like Kayla, my Lyft driver in Morgantown, WV, and find out what they think about AI. It's a test I stumbled upon while traveling from an AI event at the West Virginia University College of Law to one at Stanford Law.

Kayla asked me what I do for a living. I told her that I’m a law professor focused on AI policy. Those were the last words I said for the remainder of the ride to the airport.

Keep ReadingShow less
Close up of a person on their phone at night.

From “Patriot Games” to The Hunger Games, how spectacle, social media, and political culture risk normalizing violence and eroding empathy.

Getty Images, Westend61

The Capitol Is Counting on Us to Laugh

When the Trump administration announced the Patriot Games, many people laughed. Selecting two children per state for a nationally televised sports competition looked too much like Suzanne Collins’ Hunger Games to take seriously. But that instinct, to laugh rather than look closer, is one the Capitol is counting on. It has always been easier to normalize violence when it arrives dressed as entertainment or patriotism.

Here’s what I mean: The Hunger Games starts with the reaping, the moment when a Capitol official selects two children, one boy and one girl, to fight to the death against tributes from every other district. The games were created as an annual reminder of a failed rebellion, to remind the districts that dissent has consequences. At first, many Capitol residents saw the games as a just punishment. But sentiments shifted as the spectacle grew—when citizens could bet on winners, when a death march transformed into a beauty pageant, when murder became a pathway to celebrity.

Keep ReadingShow less