Skip to content
Search

Latest Stories

Top Stories

What role does comedy play in pulling us together?

Young woman doing stand-up comedy

Laughter is the embodiment of depolarization.

FG Trade/Getty Images

It’s no secret that pop culture in America has amazing healing and connecting powers. Throughout history, we’ve seen how artists, entertainers, athletes and creators of every kind invite us into a space of transcendence that leads to connectivity. We see that when we join people together their energy can be harnessed for good, and then amplified and scaled.

Certainly comedy fits in perfectly. Laughter is the embodiment of depolarization. Just consider that in order for something to evoke laughter, it has to have the capacity to both hold tension and release tension at the same time. And so we invite you to join Bridge Entertainment Labs tomorrow at 4 pm Eastern for “What’s Making Us Laugh? What Role Does Comedy Play in Pulling Us Together — or Driving Us Apart?”


As part of BEL’s “Creating New American Stories of Us” series, this virtual event will explore some of the ways comedy is showing up on screens, stages, and in communities across our country, sometimes serving to deepen our divides and further alienate Americans from each other — and sometimes doing just the opposite.

Questions to be explored include:

  • How can comedy humanize Americans to each other across social and political divides?
  • What role does comedy play in shaping our country’s social norms?
  • What are some of the innovative ways in which groups across America are harnessing the power of comedy to strengthen rather than divide communities?
  • What role can humor, laughter, and comedy play in strengthening our democracy?

Register now.

Confirmed participants for the webinar:

  • Caty Borum, executive director, Center for Media & Social Impact
  • Blake Pickens, Emmy Award winning comedian and filmmaker
  • Rob Long, writer and producer, “Cheers”; co-founder, Ricochet
  • Pedro Silva, director of engagement, YOUnify
  • Karith Foster, founder and CEO, Inversity Solutions; author, “ You Can Be Perfect or You Can Be Happy
  • Tane Danger, Brandon Boat and Tryg Throntveit, creators, “Sketches of Minnesota"
  • Kevin Lindsey, CEO, Minnesota Humanities Center
  • Dave Caplan, writer and executive producer, “The Conners”
  • Rob Feld, filmmaker and journalist
  • Libby Stegger, executive director, Move for America
  • Steven Olikara, president, Bridge Entertainment Labs

Bridge Entertainment Labs was created to help reverse the trend towards deepening division in America by promoting the creation of content that humanizes political tribes to one another and develops shared cultural spaces for Americans of different backgrounds and beliefs.

In the spirit of election season, some bipartisan one-liners for your enjoyment.

    • Washington, D.C., is a city where many politicians are waiting to be discovered, and an equal number are afraid they might be.
    • There's nothing wrong with this country that a good politician can't exaggerate.
    • The gifted politician is the one who can give the type of answer that makes you completely forget the question.
    • A skilled politician is one who can stand up and rock the boat and then make you believe he is the only one who can save you from the storm.
    • A political war is one in which everyone shoots from the lip.
    • No party can fool all the people all the time ... that's why we have two of them.
    • Not much of a choice this year – one candidate looks like the seller of used cars, the other one looks like a buyer of used cars.
    • We'll double-cross that bridge when we come to it.

    Read More

    Don’t Be a Working Class Hero — Just Imagine!

    John Lennon’s “Imagine” comforts, but his forgotten songs like “Working Class Hero” and “Gimme Some Truth” confront power — and that’s why they’ve been buried.

    Getty Images, New York Times Co.

    Don’t Be a Working Class Hero — Just Imagine!

    Everyone knows John Lennon’s “Imagine.”

    It floats through Times Square on New Year’s Eve, plays during Olympic ceremonies, and fills the air at corporate galas meant to celebrate “unity.” Its melody is tender, its message is simple, and its premise is seductive: If only we could imagine a world without possessions, borders, or religion, we would live in peace.

    Keep ReadingShow less
    The Elephant in the Room’ Is a Rom-Com for Our Political Moment

    The Elephant in the Room is available now to rent or buy on major streaming platforms.

    Picture Provided

    The Elephant in the Room’ Is a Rom-Com for Our Political Moment

    Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

    While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

    Keep ReadingShow less
    The Life of a Showgirl Bodes Unwell for Popular Feminism

    Taylor Swift

    Michael Campanella/TAS24/Getty Images

    The Life of a Showgirl Bodes Unwell for Popular Feminism

    Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

    After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

    Keep ReadingShow less
    Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
    Photo illustration by Yunuen Bonaparte for palabra

    Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

    Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

    “It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

    Keep ReadingShow less