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Bad Bunny preforming on stage alongside two other people.

Bad Bunny performs live during "No Me Quiero Ir De Aquí; Una Más" Residencia at Coliseo de Puerto Rico José Miguel Agrelot on September 20, 2025 in San Juan, Puerto Rico

Getty Images, Gladys Vega

From Woodstock to Super Bowl: Bad Bunny and the Legacy of Musical Protest

As Bad Bunny prepares to take the Super Bowl stage in February 2026—and grassroots rallies in his honor unfold across U.S. cities this October—we are witnessing a cultural moment that echoes the artist-led protests of the 1960s and 70s. His decision to exclude U.S. tour dates over fears of ICE raids is generating considerable anger amongst his following, as well as support from MAGA supporters. The Trump administration views his lyrics and his fashion as threats. As the story unfolds, it is increasingly becoming a political narrative rather than just entertainment news.

Music has long been a part of the American political scene. In 1969, Crosby, Stills, Nash & Young released “Ohio,” a response to the Kent State shootings that galvanized antiwar sentiment.

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How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

Shoppers stand in line at a Nike outlet store on May 3, 2025 in San Diego, California.

Getty Images, Kevin Carter

How Pop Culture Can Save Democracy: Lessons From Just Do It to Designated Drive

In the late 1980s, the Harvard Alcohol Project did just that. By embedding the term designated driver into prime-time television—from Cheers to L.A. Law—they didn’t just coin a phrase. They changed people’s behavior. The campaign was credited with helping reduce alcohol-related traffic fatalities by nearly 30% over the following decade. President George H.W. Bush and Bill Clinton, along with organizations like Mothers Against Drunk Driving, endorsed the movement, amplifying its reach.

They made sober driving socially admirable, not awkward. And they proved that when language meets culture, norms shift.

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La Ventanita: Uniting Conservative Mothers and Liberal Daughters

Steph Martinez and Rachel Ramirez with their mothers after their last performance

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La Ventanita: Uniting Conservative Mothers and Liberal Daughters

When Northwestern theater and creative writing junior Lux Vargas wrote and brought to life La Ventanita, she created a space of rest and home for those who live in the grief of not belonging anywhere, yet still yearn for a sense of belonging together. By closing night, Vargas had mothers and daughters, once splintered by politics, in each other's arms. In a small, sold-out theater in Evanston, the story on stage became a mirror: centering on mothers who fled the country and daughters who left again for college.

Performed four times on May 9 and 10, La Ventanita unfolds in a fictional cafecito window inspired by the walk-up restaurant counters found throughout Miami. “The ventanita breeds conversations and political exchange,” said Vargas.

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