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Taylor Swift urges a new generation to get engaged in ‘Only the Young’

Taylor Swift - Only The Young (Featured in Miss Americana / Lyric Video)

Taylor Swift used to prefer not to speak of her political ideas. In 2012 she made that clear. "I don't talk about politics because it might influence other people," she told Time. "And I don't think that I know enough yet in life to be telling people who to vote for."

The first sign of a change happened in the fall of 2018 when rumors circulated that she was a big fan of MAGA and President Donald Trump. Shortly thereafter she put an end to that rumor and entered the political fray with an Instagram post calling out Sen. Marsha Blackburn from her home state of Tennessee for having voted against the Violence Against Women Act as well as LGBTQ-friendly bills:


"I can't see another commercial [with] her disguising these policies behind the words 'Tennessee Christian values.' I live in Tennessee. I am Christian. That's not what we stand for."

She went on to say "I need to be on the right side of history."

In 2020, at the age of 30 her hit song "Only The Young" portends a new desire to speak out on the issues most important to her as she urges young people to get involved and calls out to them with passion about her concern for the escalating gun violence in America:

So every day now
You brace for the sound
You've only heard on TV
You go to class, scared
Wondering where the best hiding spot would be
And the big bad man and his big bad clan
Their hands are stained with red
Oh, how quickly, they forget."
The strengthening and perhaps even the survival of our democratic republic depends on young people. They are our future. Yet in 2024 it is quite possible that we will have two men in their late 70s running for president of the United States.
Taylor Swift sings out unequivocally to the young in "Only The Young":
"Don't say you're too tired to fight
It's just a matter of time (can run)
Up there's the finish line
So run, and run, and run.

At a time when many suggest that young people are politically apathetic, "Only The Young" is a powerful message that our democracy so badly needs.

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Don’t Be a Working Class Hero — Just Imagine!

John Lennon’s “Imagine” comforts, but his forgotten songs like “Working Class Hero” and “Gimme Some Truth” confront power — and that’s why they’ve been buried.

Getty Images, New York Times Co.

Don’t Be a Working Class Hero — Just Imagine!

Everyone knows John Lennon’s “Imagine.”

It floats through Times Square on New Year’s Eve, plays during Olympic ceremonies, and fills the air at corporate galas meant to celebrate “unity.” Its melody is tender, its message is simple, and its premise is seductive: If only we could imagine a world without possessions, borders, or religion, we would live in peace.

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The Elephant in the Room’ Is a Rom-Com for Our Political Moment

The Elephant in the Room is available now to rent or buy on major streaming platforms.

Picture Provided

The Elephant in the Room’ Is a Rom-Com for Our Political Moment

Discerning how to connect with people who hold political views in opposition to our own is one of the Gordian knots of our time. This seemingly insurmountable predicament, centered in the new film The Elephant in the Room, hits close to home for all of us in the broad mainline Protestant family. We often get labeled “progressive Christians” — but 57% of White non-evangelical Protestants report voting for Donald Trump. So this is something we can’t just ignore, no matter how uncomfortable it is.

While the topic seems like a natural fit for a drama, writer and director Erik Bork (Emmy-winning writer and supervising producer of Band of Brothers) had the novel idea to bake it into a romantic comedy. And as strange as it might sound, it works. Set during the early days of COVID-19, the movie stars Alyssa Limperis (What We Do in the Shadows), Dominic Burgess (The Good Place), and Sean Kleier (Ant-Man and the Wasp).

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The Life of a Showgirl Bodes Unwell for Popular Feminism

Taylor Swift

Michael Campanella/TAS24/Getty Images

The Life of a Showgirl Bodes Unwell for Popular Feminism

Our post-civil-rights society is rapidly sliding backwards. For an artist to make a claim to any progressive ideology, they require some intersectional legs. Taylor Swift’s newest album, The Life of a Showgirl, disappoints by proudly touting an intentionally ignorant perspective of feminism-as-hero-worship. It is no longer enough for young women to see Swift’s success and imagine it for themselves. While that access is unattainable for most people, the artists who position themselves as thoughtful contributors to public consciousness through their art must be held accountable to their positionality.

After the release of Midnights (2022), Alex Petridis wrote an excellent article for The Guardian, where he said of the album, “There’s an appealing confidence about this approach, a sense that Swift no longer feels she has to compete on the same terms as her peers.” The Life of a Showgirl dismantles this approach. At the top of the show business world, it feels like Taylor is punching down and rewriting feminism away from a critical lens into a cheap personal narrative.

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Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​
Photo illustration by Yunuen Bonaparte for palabra

Iguanas on the Tombstones: A Poet's Metaphor for Colonialism​

Iguanas may seem like an unconventional subject for verse. Yet their ubiquitous presence caught the attention of Puerto Rican poet Martín Espada when he visited a historic cemetery in Old San Juan, the burial place of pro-independence voices from political leader Pedro Albizu Campos to poet and political activist José de Diego.

“It was quite a sight to witness these iguanas sunning themselves on a wall of that cemetery, or slithering from one tomb to the next, or squatting on the tomb of Albizu Campos, or staring up at the bust of José de Diego, with a total lack of comprehension, being iguanas,” Espada told palabra from his home in the western Massachusetts town of Shelburne Falls.

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