Growing up in Ithaca, a college town in New York’s Finger Lakes region, I had a very different idea of the Fourth of July.
Independence Day was a community ritual. Families gathered before the parade, children buzzed with anticipation, veterans and local officials passed by, fire trucks and marching bands rolled through downtown, neighbors greeted one another by name, and best of all, fireworks lit up the night sky. The celebration was modest, local, and imperfect in the way all genuine civic life is imperfect. It fostered a sense of belonging.
People could disagree about taxes, presidents, wars, schools, and everything else, yet for a few hours, they could share the same public space without being sorted into enemy camps.
That memory may sound nostalgic, but romanticizing the past is not the point. Civic rituals matter because they create a space where citizenship can rise above partisanship, reminding us that we share a political community even when we disagree about nearly everything else. Such rituals do not erase conflict, injustice, or the many ways America has fallen short of its ideals. But at their best, they affirm that the republic is older, larger, and more enduring than any faction, party, or president.
That is why President Trump’s announcement that the July 4 celebration on the National Mall marking America’s 250th anniversary will double as the “most spectacular TRUMP RALLY of them all” is so jarring. It erases the distinction between a national commemoration and a personal political spectacle.
A national commemoration should elevate the republic above the person temporarily entrusted with leading it. Trump’s instinct is the reverse. He takes the broadest civic stage available and scrawls his own name across it.
The National Mall is the symbolic heart of American civic life. It is where the country gathers to mourn, protest, celebrate, and remember. The Lincoln Memorial, the Washington Monument, and the vast public space between them belong to the people.
Turning that space into a Trump rally is a kind of democratic sacrilege. It repurposes a civic space for the glorification of one individual, erasing a fundamental distinction. The president is not the nation. He is an officer of the constitutional order, temporarily empowered and constitutionally constrained. When national rituals become extensions of his personal brand, the office begins to swallow the republic it is meant to serve.
Guy Debord’s phrase “the society of the spectacle” helps explain why this matters. In spectacle politics, public life is transformed into images to be consumed. Citizens become spectators. Power presents itself through symbols, performances, and carefully managed scenes. Trump did not create this condition, but he has pushed it further. For him, spectacle is not an ornament attached to governing. It is the substance.
That is what makes Trump’s announcement so revealing. The 250th anniversary of American independence should be a moment of civic memory. It should ask citizens to think about the republic: its promises, betrayals, achievements, and unfinished obligations. Instead, Trump’s own language turns the event into a spectacle of personal branding. The nation does not gather to see itself; It gathers to see him.
The result is civic displacement. The people are no longer participants in a shared act of commemoration. They are an audience. The National Mall becomes a stage set. The flyover becomes a prop. The fireworks become lighting. The rally playlist becomes the soundtrack. And the president becomes the main character in a narrative that is supposed to belong to the country.
This matters because democracies need citizens, not merely audiences. A republic depends on people who deliberate, organize, vote, serve, protest, volunteer, and hold leaders accountable. Spectacle moves in the opposite direction. It asks people to watch, cheer, identify, and repeat. It turns politics into a drama of loyalty and domination. In that drama, the leader does not serve the nation. The nation becomes the backdrop for the leader.
Defenders will say the criticism is overheated. Presidents have always used patriotic symbols, appeared before flags, spoken at national ceremonies, and connected themselves to the country’s story. That is true. The presidency is, by design, both an administrative office and a symbolic one. But there is a difference between representing the nation and replacing it.
That distinction is not academic. If the nation and the leader are fused, criticism of the leader can be treated as criticism of the country. Opposition becomes treason, protest becomes domestic terrorism, and accountability becomes betrayal. That is how democratic culture erodes, not always through coups or decrees, but through the steady personalization of public life. Institutions lose their independent meaning, public spaces become partisan arenas, national symbols become props, and citizens are reduced to fans or enemies.
The semiquincentennial should call Americans to something better: a reminder that the United States has always been larger than its leaders. The Declaration was a rejection of rule by one man, and the Constitution did not create an elected monarch. It created a system of divided power, public accountability, and limits on ambition. That is the irony of Trump’s July 4 spectacle: a holiday born in resistance to personalized power becomes a MAGA rally.
The country deserves a birthday celebration worthy of its history, its contradictions, its achievements, and its unfinished promise.
The best way to honor the Fourth of July, then, is not to join Trump’s shameless spectacle, but to turn away from it. Americans should celebrate the nation’s 250th birthday in the older and better way: gathering in communities, reading the Declaration aloud, marching in local parades, watching fireworks with neighbors, and reflecting seriously on the ideals that the document still places before us. The Declaration asserts that legitimate government rests on the consent of the governed, that rights do not flow from rulers, and that people have the authority to resist domination. That is the Fourth worth celebrating. Not a celebration for presidential vanity. A republic, still unfinished, still contested, and still ours.
Robert Cropf is a Professor of Political Science at Saint Louis University.
U.S. President Donald Trump speaks during a“ Steel Across America” event ahead of the 25th anniversary of the Sept. 11th attacks on the Ellipse near the White House on Sept. 8, 2026 in Washington, D.C. President Trump welcomed 9/ 11 first responders to the Tunnel to Towers Foundation’ s“ Steel Across America” event featuring a 16,900- pound, 21- foot steel beam recovered.
For Trump, even 9/11 is an opportunity
There was a reason organizers of the 9/11 ceremony in Manhattan told President Trump he could not speak at this year’s memorial service.
A good one, it turns out.
Because in a speech he gave on Tuesday in Washington, he did exactly what they were presumably worried about — he made it about himself.
According to The New York Times, Trump had wanted a speaking role at the service, but the National Sept. 11 Memorial and Museum, which oversees the site, said no, as they’ve maintained for the past decade-plus that the venue and event should be nonpartisan.
Trump has long used awful tragedies to either puff himself up, trash political opponents, or sell lies to the American people.
He blamed a deadly plane crash at Washington National Airport last year on diversity, equity and inclusion policies. He blamed Puerto Ricans for the devastation they endured after Hurricane Maria in 2017. He reportedly considered withholding disaster relief after the California wildfires based on the way affected regions voted. In an interview on Fox News meant to commemorate the 75th anniversary of D-Day in Normandy, he used the occasion to slam former House Speaker Nancy Pelosi…with graves of the dead behind him.
And now, as we approach the 25th anniversary of what many New Yorkers consider the darkest day in modern history, Trump has done it again.
He told a rambling, nonsensical story — one he’s told before — about going to Ground Zero just after terrorists flew two commercial jets into the twin towers. In the story, which no one has been able to verify, despite multiple attempts, he says firefighters had to carry him out of One Liberty Plaza, also known as the U.S. Steel Building, because they thought it was about to collapse.
As CNN fact checker Daniel Dale notes, there’s no evidence Trump went into this building, especially at a time when NYPD and NYFD had locked down the area. There’s no evidence that building was collapsing — in fact, it was deemed structurally sound and reopened within two months of the attacks. There’s no evidence he was carried out of it by firefighters.
But the lie isn’t even the worst part. Pretend it was all true — why would the leader of our country, and a New Yorker, decide to make that tragic day about himself?
Because that’s who Donald Trump is. He’s a malignant narcissist.
He’s also, incidentally, a terrible and ineffectual president, who’s made ill-fated decisions that he has to keep defending, and there’s nothing he won’t do to make himself look and feel better.
Within the first two minutes of his speech, he was cravenly using 9/11 to justify and promote his dumb war in Iran — two events separated by 25 years and 6,000 miles.
“And I will tell you, we’re right now fighting because we have a certain nation that wanted a nuclear weapon, they were very close to getting it, and now they have no chance at getting it. They will never have a nuclear weapon. Iran will not have a nuclear weapon. And they’ve been punished greatly. As you know, we’ve really taken it to them.”
As a New Yorker who lived through 9/11, still one of the worst days of my life, I’m utterly sickened by Trump’s crass, political, and self-promotional framing of that awful day.
And I’m relieved he won’t be given a platform to do it again on Friday’s anniversary in lower Manhattan.
Because for Trump, everything is his for the taking, and absolutely nothing is sacred.
S.E. Cupp is the host of "S.E. Cupp Unfiltered" on CNN.