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Jawole Willa Jo Zollar demonstrates the power of dance

UBW BOLD: A Behind-The-Scenes-Look

Jawole Willa Jo Zollar is the visionary founder and artistic director of "Urban Bush Woman." She has been using the power of dance and artistic expression to celebrate the voices of Black women and promote civic engagement and community organizing for over 35 years.

Urban Bush Women's mission is to create exceptional and provocative art, develop future leaders, and engage communities across the country and around the world in art-making as a way of effecting social change.


Their work is bold and inspiring.

The group's Bold Community Engagement & Workshops are at the forefront of activating the intersections of community art-making, civic engagement, leadership and group dynamics. This behind the scene look will give you an idea of the power of their work: https://www.youtube.com/watch?v=0GxkhDyE7s4

Dance has long been used to engage on a host of sociopolitical issues in the United States. Do you have other examples we can share with our readers? Please share with us your ideas by writing to us at pop-culture@fulcrum.us

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Bad Bunny: Bridging Cultural Divides Through Song and Dance

Bad Bunny-inspired coquito-flavored lattes.

Photo provided by Latino News Network

Bad Bunny: Bridging Cultural Divides Through Song and Dance

Exactly one week before his Apple Music Super Bowl LX Halftime Show performance, Bad Bunny made history at the 68th Grammy Awards after his latest studio album, DeBÍ TiRAR MáS FOTos, became the first Spanish-language project to win Album of the Year in Grammy history. Despite facing heavy criticisms that expose existing socio-cultural tensions in the U.S., Bad Bunny, born Benito Ocasio, will continue to make history as the first Spanish-language solo headliner at the Halftime Show, bridging sociocultural divides in the most Boricua way: through song and dance.

The NFL’s announcement of this year’s Super Bowl headliner in late September drew significant criticism, particularly from American audiences.

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Word Kill: Politics Can Be Murder on Poetry

A poster featuring Renee Good sits along the street near a memorial to Good on January 16, 2026 in Minneapolis, Minnesota.

(Photo by Scott Olson/Getty Images)

Word Kill: Politics Can Be Murder on Poetry

Across the United States and the world, millions are still processing the recent killing of Renee Nicole Good in Minneapolis by ICE agents. Reactions have intensified as more recently ICE agents shot a Venezuelan man in the same city, and additional National Guard troops have been deployed there.

Many were shocked learning of Good’s shooting, and the shock grew as more information and details about the events leading up to her death, as well as facts about Good herself.

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Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

Bad Bunny performs on stage during the Debí Tirar Más Fotos world tour at Estadio GNP Seguros on December 11, 2025 in Mexico City, Mexico.

(Photo by Emma McIntyre/Getty Images)

Bad Bunny Super Bowl Clash Deepens America’s Cultural Divide

On Monday, January 26th, I published a column in the Fulcrum called Bad Bunny’s Super Bowl Halftime Show Sparks National Controversy As Trump Announces Boycott. At the time, I believed I had covered the entire political and cultural storm around Bad Bunny’s upcoming Super Bowl performance.

I was mistaken. In the days since, the reaction has only grown stronger, and something deeper has become clear. This is no longer just a debate about a halftime show. It is turning into a question of who belongs in America’s cultural imagination.

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Springsteen’s ‘Streets of Minneapolis’ Demands Justice Now

Bruce Springsteen on October 22, 2025 in Hollywood, California.

(Photo by Rodin Eckenroth/Getty Images for AFI)

Springsteen’s ‘Streets of Minneapolis’ Demands Justice Now

Bruce Springsteen didn’t wait for the usual aftermath—no investigations, no statements, no political rituals. Instead, he picked up his guitar and told the truth, as he always does in moments of moral fracture.

This week, Springsteen released “Streets of Minneapolis,” a blistering protest song written and recorded in just 48 hours, in direct response to what he called “the state terror being visited on the city of Minneapolis.”

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